Posted on Leave a comment

K-pop sensation BTS returns with comeback concert in Seoul after a 4-year hiatus

After a four-year break, K-pop supergroup BTS returned Saturday with a massive, free comeback concert in Seoul, where thousands of police locked down a central boulevard for the Netflix-exclusive spectacle that drew tens of thousands of fans.

“Annyeonghaseyo! We’re back,” RM, the band’s leader, told the crowd, using the Korean word for “hello,” as they opened with “Body to Body,” setting off delirious screams from fans waving purple-and-red light sticks and thrusting smartphones into the air.

All seven members of the band — RM, Jin, Suga, J-Hope, Jimin, V and Jung Kook — recently completed South Korea’s mandatory military service, and hope to reclaim their status as one of the world’s biggest pop acts.

The performance at Gwanghwamun Square launches a global tour spanning dozens of shows across the United States, Europe and Asia, which analysts say could generate hundreds of millions of dollars in revenue per quarter.

The hourlong concert came after the group on Friday released its fifth album, “ARIRANG,” which sold nearly 4 million copies in its first day, said the band’s management company, HYBE. The company also said RM had injured his ankle during a rehearsal, but he still performed with modified choreography.

The BTS concert, which began at 8 p.m., drew several tens of thousands to the Gwanghwamun area, including 22,000 fans who secured free seats in the designated viewing zone and others who watched on screens nearby. The show was streamed live on Netflix.

“It will be amazing because it’s been so long that BTS (was) not with us,” Dallila Di Tullio, a 32-year-old fan from Italy, said before the concert, calling it a once-in-a-century event.

BTS debuted in 2013 and has a legion of global supporters who call themselves the “Army.” It became the first K-pop act to top Billboard’s Hot 100 chart in 2020 with their first all-English song “Dynamite.”

Jung Dukhyun, a pop culture commentator, said that the impact of BTS’ return as a full-group would be tremendous at a time when global fandom for K-pop has grown much stronger, as shown by the success of Netflix’s animated sensation “KPop Demon Hunters.”

The dark streets blazed with light as waves of fans sang and cheered from cordoned sections, a jubilant scene that unfolded under an unusually heavy police presence managing the crowds.

“I still vividly remember how, at our last Busan concert a few years ago, we asked you to wait for us. Thank you so much for coming here like this,” Jin said.

The group performed songs from their new album, including “SWIM,” alongside hits like “Dynamite” and “Butter.” Some members appeared to tear up while thanking fans who braved the chilly night, before holding hands and bowing to the crowd to close the show.

Police and city officials closed nearby streets and roads, halted the area’s subway and bus services, and sealed off dozens of surrounding buildings, in what amounted to a full-day shutdown of the district.

Thousands of police officers maintained a tight perimeter around the performance venue, channeling the crowds with a maze of fences and buses. Concertgoers began queuing by midday to secure spots along nearby roads, passing through security checks and metal detectors at designated entry points. The restrictions forced nearby shops to close and police to use their buses to shuttle wedding guests to a nearby venue.

“I was hoping to (see) if we can go through some holes or be around. Apparently we cannot because they will be asking people to move,” said Bernice Sanchez, a 52-year-old fan from Switzerland, as she looked for a place to wait.

While South Korean officials have taken crowd safety more seriously since a 2022 Halloween surge that killed nearly 160 people, critics say the controls went too far and undermined the symbolism of performing in Gwanghwamun, seen as Seoul’s spiritual heart and most prominent gathering space.

Hundreds of thousands have gathered in Gwanghwamun in recent years to mourn, protest and celebrate as the country weathered tragedy and political upheaval. The BTS concert came about a year after waves of demonstrators filled the area, calling for the ouster of then-President Yoon Suk Yeol over his brief imposition of martial law in December 2024. Those monthslong rallies were marked by a festive atmosphere and a striking blend of politics and pop culture, with protesters singing and waving colorful K-pop light sticks, and ended without major safety accidents.

The new BTS album, “ARIRANG,” takes its name from a centuries-old folk song, regarded as an unofficial anthem in both Koreas, whose themes of separation, longing and quiet resilience have echoed across generations.

Gwanghwamun and nearby Gyeongbok Palace provided a sweeping historic backdrop to Saturday’s show, which was highlighted by lighting effects that bathed the palace gate and walls in purple, red and blue.

Suga told the crowd that the album’s title and the decision to perform in Gwanghwamun reflected the group’s focus on identity. RM said the band focused on making music that felt true to themselves as they reconvened to work on the new album.

“We wanted to show who we are and how we can come together,” he told the crowd.

South Korean officials, including current President Lee Jae Myung, expressed hope that the event would promote the country’s culture and soft power.

The group’s comeback follows a nearly four-year hiatus driven by South Korea’s mandatory military service, which requires most able-bodied men to serve 18 to 21 months under a conscription system aimed at deterring aggression from North Korea. BTS members began serving in 2022, with Suga the last to complete his service in June 2025.

Some analysts say the group’s “ARIRANG” world tour could become the biggest K-pop tour ever by scale and revenue, with 82 shows planned globally in stadiums of around 50,000 seats. Ha Jae-keun, a cultural critic, said BTS was likely to have a “second heyday,” as they maintained a highly powerful fandom and would benefit from the broader international ascent of K-pop.

“We will do our best to give everything we got,” J-Hope said. (JapanToday)

Posted on Leave a comment

Chuck Norris, martial arts master and actor, dies at 86

Chuck Norris, the martial arts grandmaster and action star whose roles in “Walker, Texas Ranger” and other television shows and movies made him an iconic tough guy — sparking internet parodies and adoration from presidents — has died at 86.

Norris died Thursday, in what his family described as a “sudden passing.”

“While we would like to keep the circumstances private, please know that he was surrounded by his family and was at peace,” the family said in a statement posted to social media.

Before he would become a star in movies and on TV, Norris was wildly successful in competitive martial arts. He was a six-time undefeated World Professional Middleweight Karate champion. He also founded his own Korean-based American hard style of karate, known sometimes as Chun Kuk Do, and the United Fighting Arts Federation, which has awarded more than 3,300 Chuck Norris System black belts worldwide. Black Belt magazine ultimately credited Norris in its hall of fame with holding a 10th degree black belt, the highest possible honor.

Born Carlos Ray Norris in Ryan, Oklahoma, on March 10, 1940, he grew up poor. At age 12, he moved with his family to Torrance, California, and joined the U.S. Air Force after high school, in 1958. It was during a deployment to Korea that he started training in martial arts, including judo and Tang Soo Do.

“I went out for gymnastics and football at North Torrance high,” he told The Associated Press in 1982. “I played some football, but I also spent a lot of time on the bench. I was never really athletic until I was in the service in Korea.”

After he was honorably discharged in 1962, he worked as a file clerk for Northrop Aircraft and applied to be a police officer, but was put on a waitlist. Meanwhile, he opened a martial arts studio, which expanded to a chain, with students including such stars as Bob Barker, Priscilla Presley, Donny and Marie Osmond, and Steve McQueen, whom he later credited with encouraging him to get into acting.

Norris made his film debut as an uncredited bodyguard in the 1968 movie “The Wrecking Crew,” which included a fight with Dean Martin. He had also crossed paths with Bruce Lee in martial arts circles. Their friendship — sometimes, as sparring partners — led to an iconic faceoff in the 1972 movie “Return of the Dragon,” in which Lee fights and kills Norris’ character in Rome’s Colosseum.

He went on to act in more than 20 movies, such as “Missing in Action,” “The Delta Force” and “Sidekicks.”

“I wanted to project a certain image on the screen of a hero. I had seen a lot of anti-hero movies in which the lead was neither good nor bad. There was no one to root for,” Norris said in 1982.

In 1993, he took on his most famed role, as a crime-fighting lawman in TV’s “Walker, Texas Ranger.” The show ran for nine seasons, and in 2010, then-Gov. Rick Perry awarded him the title of honorary Texas Ranger. The Texas Senate later named him an honorary Texan.

“It’s not violence for violence’s sake, with no moral structure,” Norris told the AP in 1996, speaking about the show. “You try to portray the proper meaning of what it’s about — fighting injustice with justice, good vs. bad. … It’s entertaining for the whole family.”

Norris also made a surprise comedic appearance as a decisive judge in the final match of the 2004 movie “Dodgeball.” He only on occasion had taken acting roles in recent years, including 2012’s “The Expendables 2” and the 2024 sci-fi action movie “Agent Recon.” He’s due to appear in “Zombie Plane,” an upcoming film starring Vanilla Ice.

It was around the time of “Dodgeball” that his toughman image became the stuff of legend, literally: “Chuck Norris Facts” went viral online with such wildly hyperbolic statements as, “Chuck Norris had a staring contest with the sun — and won,” and, “They wanted to put Chuck Norris on Mt. Rushmore, but the granite wasn’t tough enough for his beard.”

Norris ultimately embraced the absurdity of the meme craze, putting together “The Official Chuck Norris Fact Book,” which combined his favorites with supposedly true stories and the codes he aimed to live by. He would also write books on martial arts instruction, a memoir, political takes, Civil War-era historical fiction and more.

“To some who know little of my martial arts or film careers but perhaps grew up with ‘Walker, Texas Ranger,’ it seems that I have become a somewhat mythical superhero icon,” Norris wrote in the forward to the “Fact Book.” “I am flattered and humbled.”

That book raised money for a nonprofit he founded with President George H.W. Bush that promoted martial arts instruction for kids.

The intentionally outlandish statements featured in the 2008 Republican presidential primary, when Norris endorsed Arkansas Gov. Mike Huckabee and shot an ad playing on the “Chuck Norris facts.”

“Chuck Norris doesn’t endorse. He tells America how it’s going to be,” Huckabee said in the campaign ad.

President Donald Trump’s supporters later promoted “Trump Facts” in the same vein, and political pundits tried it as well, describing the commander-in-chief’s decision to seize Venezuela’s sitting president, Nicolas Maduro, as a “Chuck Norris Moment,” and its initial effect on oil prices a “Chuck Norris Premium.”

Norris was outspoken about his Christian beliefs and his support for gun rights, and backed political candidates for years — he even went skydiving with Bush for the former president’s 80th birthday. As for Trump, Norris endorsed him in the 2016 general election and wrote guest columns praising him without explicitly endorsing him in the days before the 2020 and 2024 elections.

Norris is survived by five children: stunt performers Mike and Eric with his late ex-wife Dianne Holechek, twins Dakota and Danilee with his wife Gena Norris, and Dina, the result of an early 1960s “one-night stand” revealed in his autobiography.

Norris celebrated his birthday just over a week before his death, posting a sparring video on Instagram.

“I don’t age. I level up,” he wrote. (JapanToday)

Posted on Leave a comment

“One Battle After Another” and “Sinners” are winners at the Oscars 2026

Hollywood’s best and brightest have been honoured with the most coveted awards in the movie industry, the Oscars.

One Battle After Another led the way with six wins, while Hamnet‘s Jessie Buckley and Sinners‘ Michael B Jordan scooped the top acting honours.

See the full list of winners and nominees below.

Best picture

  • WINNER: One Battle After Another
  • Bugonia
  • Frankenstein
  • F1
  • Hamnet
  • Marty Supreme
  • The Secret Agent
  • Sentimental Value
  • Sinners
  • Train Dreams

Best actress

  • WINNER: Jessie Buckley – Hamnet
  • Rose Byrne – If I Had Legs I’d Kick You
  • Kate Hudson – Song Sung Blue
  • Renate Reinsve – Sentimental Value
  • Emma Stone – Bugonia

Best actor

  • WINNER: Michael B Jordan – Sinners
  • Timothée Chalamet – Marty Supreme
  • Leonardo DiCaprio – One Battle After Another
  • Ethan Hawke – Blue Moon
  • Wagner Moura – The Secret Agent

Best supporting actress

  • WINNER: Amy Madigan – Weapons
  • Elle Fanning – Sentimental Value
  • Inga Ibsdotter Lilleaas – Sentimental Value
  • Wunmi Mosaku – Sinners
  • Teyana Taylor – One Battle After Another

Best supporting actor

  • WINNER: Sean Penn – One Battle After Another
  • Benicio del Toro – One Battle After Another
  • Jacob Elordi – Frankenstein
  • Delroy Lindo – Sinners
  • Stellan Skarsgård – Sentimental Value

Best director

  • WINNER: Paul Thomas Anderson – One Battle After Another
  • Ryan Coogler – Sinners
  • Josh Safdie – Marty Supreme
  • Joachim Trier – Sentimental Value
  • Chloé Zhao – Hamnet
Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Best supporting actress

  • WINNER: Amy Madigan – Weapons
  • Elle Fanning – Sentimental Value
  • Inga Ibsdotter Lilleaas – Sentimental Value
  • Wunmi Mosaku – Sinners
  • Teyana Taylor – One Battle After Another

Best supporting actor

  • WINNER: Sean Penn – One Battle After Another
  • Benicio del Toro – One Battle After Another
  • Jacob Elordi – Frankenstein
  • Delroy Lindo – Sinners
  • Stellan Skarsgård – Sentimental Value

Best director

  • WINNER: Paul Thomas Anderson – One Battle After Another
  • Ryan Coogler – Sinners
  • Josh Safdie – Marty Supreme
  • Joachim Trier – Sentimental Value
  • Chloé Zhao – Hamnet

Best animated feature

  • WINNER: KPop Demon Hunters
  • Arco
  • Elio
  • Little Amélie or the Character of Rain
  • Zootopia 2

Best international feature

  • WINNER: Sentimental Value
  • It Was Just an Accident
  • Sirât
  • The Secret Agent
  • The Voice of Hind Rajab

Best documentary feature

  • WINNER: Mr Nobody Against Putin
  • Come See Me in the Good Light
  • Cutting Through the Rocks
  • The Alabama Solution
  • The Perfect Neighbor
Michael B. Jordan, left, winner of the award for actor in a leading role for “Sinners,” and Ryan Coogler, winner of the award for writing (original screenplay) for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Best original screenplay

  • WINNER: Sinners – Ryan Coogler
  • Blue Moon – Robert Kaplow
  • It Was Just an Accident – Jafar Panahi
  • Marty Supreme – Ronald Bronstein and Josh Safdie
  • Sentimental Value – Eskil Vogt and Joachim Trier

Best adapted screenplay

  • WINNER: One Battle After Another – Paul Thomas Anderson
  • Bugonia – Will Tracy
  • Frankenstein – Guillermo del Toro
  • Hamnet – Chloé Zhao and Maggie O’Farrell
  • Train Dreams – Clint Bentley and Greg Kwedar

Best original song

  • WINNER: Golden – KPop Demon Hunters (by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park)
  • Dear Me – Diane Warren: Relentless (by Diane Warren)
  • I Lied to You – Sinners (by by Raphael Saadiq and Ludwig Goransson)
  • Sweet Dreams of Joy – Viva Verdi! (by Nicholas Pike)
  • Train Dreams – Train Dreams (by Nick Cave and Bryce Dessner)

Best original score

  • WINNER: Sinners – Ludwig Goransson
  • Bugonia – Jerskin Fendrix
  • Frankenstein – Alexandre Desplat
  • Hamnet – Max Richter
  • One Battle After Another – Jonny Greenwood

Best cinematography

  • WINNER: Sinners – Autumn Durald Arkapaw
  • Frankenstein – Dan Laustsen
  • Marty Supreme – Darius Khondji
  • One Battle After Another – Michael Bauman
  • Train Dreams – Adolpho Veloso

Best film editing

  • WINNER: One Battle After Another – Andy Jurgensen
  • F1 – Stephen Mirrione
  • Marty Supreme – Ronald Bronstein and Josh Safdie
  • Sentimental Value – Olivier Bugge Coutté
  • Sinners – Michael P Shawver

Best sound

  • WINNER: F1 – Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta
  • Frankenstein – Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern
  • One Battle After Another – José Antonio García, Christopher Scarabosio and Tony Villaflor
  • Sinners – Chris Welcker, Benjamin A Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker
  • Sirât – Amanda Villavieja, Laia Casanovas and Yasmina Praderas

Best visual effects

  • WINNER: Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
  • F1 – Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson
  • Jurassic World Rebirth – David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould
  • Sinners – Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean
  • The Lost Bus – Charlie Noble, David Zaretti, Russell Bowen and Brandon K McLaughlin

Best production design

  • WINNER: Frankenstein – Tamara Deverell and Shane Vieau
  • Hamnet – Fiona Crombie and Alice Felton
  • Marty Supreme – Jack Fisk and Adam Willis
  • One Battle After Another – Florencia Martin and Anthony Carlino
  • Sinners – Hannah Beachler and Monique Champagne

Best production design

  • WINNER: Frankenstein – Tamara Deverell and Shane Vieau
  • Hamnet – Fiona Crombie and Alice Felton
  • Marty Supreme – Jack Fisk and Adam Willis
  • One Battle After Another – Florencia Martin and Anthony Carlino
  • Sinners – Hannah Beachler and Monique Champagne

Best make-up and hairstyling

  • WINNER: Frankenstein – Mike Hill, Jordan Samuel and Cliona Furey
  • Kokuho – Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
  • Sinners – Ken Diaz, Mike Fontaine and Shunika Terry
  • The Smashing Machine – Kazu Hiro, Glen Griffin and Bjoern Rehbein
  • The Ugly Stepsister – Thomas Foldberg and Anne Cathrine Sauerberg
  • Best costume design

    • WINNER: Frankenstein – Kate Hawley
    • Avatar: Fire and Ash – Deborah L Scott
    • Hamnet – Malgosia Turzanska
    • Marty Supreme – Miyako Bellizz
    • Sinners – Ruth E Carter

    Best animated short

    • WINNER: The Girl Who Cried Pearls
    • Butterfly
    • Forevergreen
    • Retirement Plan
    • The Three Sisters

    Best live action short

    • WINNER (TIED): The Singers
    • WINNER (TIED): Two People Exchanging Saliva
    • A Friend of Dorothy
    • Butcher’s Stain
    • Jane Austen’s Period Drama

    Best documentary short

    • WINNER: All the Empty Rooms
    • Armed Only with a Camera: The Life and Death of Brent Renaud
    • Children No More: Were and Are Gone
    • The Devil Is Busy
    • Perfectly a Strangeness Source: (BBC)
    Posted on Leave a comment

    Oscars 2026: ‘One Battle After Another’ wins best picture while ‘Sinners’ makes history

    Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance.

    The ceremony Sunday, which also saw Michael B Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar.

    But “One Battle After Another,” the favorite coming in, won six Oscars, including best director and best adapted screenplay for Anderson, the Oscars’ first trophy for best casting and best supporting actor for an absent Sean Penn.

    “I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world — we’re handing off to them,” said Anderson while accepting the screenplay trophy. “But also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”

    Ryan Coogler’s Jim Crow-set, blues-soaked vampire tale “Sinners,” which came in with a record 16 nominations, also landed some big and even historic wins. Coogler, the widely loved filmmaker, won the first Oscar in an unblemished career that started out with Jordan in 2013’s “Fruitvale Station.”

    Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

    Arkapaw was also the first Black person to win for best cinematography. Only the fourth female cinematographer ever nominated, her win was a long-in-coming triumph for women behind the camera.

    “I really want all the women in room to stand up,” said Arkapaw. “Because I don’t feel like I get here without you guys.”

    And Jordan, one of Hollywood’s most liked leading men, won best actor in one of the night’s closest races. The Dolby Theatre rose to its feet in the most thunderous applause of the night.

    “Yo, momma, what’s up?” said Jordan after staggering to the stage.

    The Oscar night belonged to Warner Bros., the studio of “One Battle After Another” and “Sinners,” which scored a record-tying 11 wins. It was an oddly poignant note of triumph for the fabled studio, which weeks earlier agreed to a sale to Paramount Skydance, David Ellison’s rapidly assembled media monolith. The $111 billion deal, which awaits regulatory approval, has Hollywood bracing for more layoffs.

    But “Sinners” and “One Battle After Another” — the much-acclaimed heavyweights of the season — were each Hollywood anomalies: big-budget originals born from a personal vision. In a year where anxiety over studio contraction and the rise of artificial intelligence often consumed the industry, both films gave Hollywood fresh hope.

    Jessie Buckley won best actress for her performance as Agnes Shakespeare in “Hamnet,” making her the first Irish performer to ever win in the category. At an Oscars where no other acting award seemed a sure thing, Buckley cruised into Sunday’s Oscars at the Dolby Theatre as the overwhelming favorite.

    “It’s Mother’s Day in the UK,” said Buckley on the stage. “I would like to dedicated this to the beautiful chaos of a mother’s heart.”

    From the start, when host Conan O’Brien sprinted through the year’s nominees as Amy Madigan’s character in the horror thriller “Weapons” in a pre-taped bit, Sunday’s ceremony was quirky, a little clunky and preoccupied with the shifting place of movies in culture. There was, of all things, a tie for best live-action short film.

    Host Conan O’Brien performs during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

    As expected, the Netflix sensation “KPop Demon Hunters,” 2025’s most-watched film, won best animated feature, as well as best song for “Golden.” It was a big win for Netflix but a more qualified victory for the movie’s producer, Sony Pictures. Though it developed and produced the film, Sony sold “KPop Demon Hunters” to the streaming giant instead of giving it a theatrical release.

    On Netflix, “KPop Demon Hunters” became a cultural phenomenon and the streaming platform’s biggest hit. It has more than 325 million views and counting.

    “This is for Korea and Koreans everywhere,” said co-director Maggie Kang.

    Another Netflix release, Guillermo del Toro’s “Frankenstein” picked up three awards for its lavish craft, for costume design, makeup and hairstyling and for production design.

    Amy Madigan won best supporting actress for her performance in the horror thriller “Weapons,” a win that came 40 years after the 75-year-old actor was first nominated, in 1986, for “Twice in a Lifetime.” Letting out a giant laugh as she hit the stage, Madigan exclaimed, “This is great!”

    Hosting for the second time, O’Brien began the Dolby Theatre show alluding to “chaotic and frightening times.” But he argued that the current geopolitical climate made the Oscars all the more resonate as a globally unifying force.

    “We pay tribute tonight, not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today — optimism,” O’Brien said. “We’re going to celebrate. Not because we think all is well, but because we work, and hope, for better.”

    Throughout the show, O’Brien hit a number of targets, like Timothée Chalamet — who again missed out on winning his first Oscar, this time for “Marty Supreme” — for his diss of opera and ballet. But the ceremony seldom wasn’t shadowed by politics, whether in references to changes under U.S. President Donald Trump or the recently launched war in Iran.

    Joachim Trier, whose Norwegian family drama “Sentimental Value” won best international film, quoted James Baldwin in his acceptance speech: “All adults are responsible for all children,” he said. “Let’s not vote for politicians that don’t take this seriously into account.”

    Presenter Jimmy Kimmel, whose late-night show last year was suspended after comments he made about Charlie Kirk’s killing, was among the most blunt.

    “There are some countries that don’t support free speech,” said Kimmel. “I’m not at liberty to say which. Let’s just leave it at North Korea and CBS.”

    Shortly after, “Mr. Nobody Against Putin,” a film about a Russian primary schoolteacher who documents his students’ indoctrination to support Russia’s war with Ukraine, won best documentary.

    “’Mr. Nobody Against Putin’ is about how you lose your country,” co-director said. “And what we saw when working with this footage is that you lose it through countless, small, little acts of complicity.”

    “We all face a moral choice,” he added, “but, luckily, a nobody is more powerful than you think.”

    Elegy also marked the Oscars. Producers expanded the in memoriam segment following a year that featured the deaths of so many Hollywood legends, including Keaton, Robert Duvall and Redford. Barbra Streisand spoke about Redford, her “The Way We Were” co-star.

    “Bob had real backbone,” said Streisand, who called Redford “an intellectual cowboy” before singing a few bars of “The Way We Were.”

    Billy Crystal paid tribute to Rob and Michele Reiner, who were killed in their home in December. Crystal, a close friend of Rob Reiner’s who memorably starred in 1989’s “When Harry Met Sally…” and 1987’s “Princess Bride.” In his moving remarks, Crystal quoted the latter.

    “All we can say is: Buddy, how much fun we had storming the castle,” said Crystal.

    Yet again, the night’s final award again didn’t go to a streaming release; Apple’s “CODA” remains the only streaming film to achieve that distinction. “Sinners” and “One Battle After Another” were both theatrical releases shot on film.

    Apple’s top contender this time, the Formula One race drama “F1,” a movie that it partnered with Warner Bros. to distribute theatrically, won for best sound. The lone blockbuster of the year to go home with a win was “Avatar: Fire and Ash,” for visual effects.

    Some of O’Brien’s best digs came at the expense of the streamers. Netflix chief Ted Sarandos, he joked, was in a theater for the first time. The host also lamented the lack of nominees for Amazon MGM: “Why isn’t the website I order toilet paper from winning more Oscars?”

    “I’m honored to be the last human host of the Academy Awards,” said O’Brien. “Next year it’s going to be a Waymo in a tux.” (JapanToday)

    Posted on Leave a comment

    Netflix okays sequel of ‘KPop Demon Hunters’

    Netflix has confirmed that a sequel to the ‘KPop Demon Hunters’ animation feature is in the works, with Maggie Kang and Chris Appelhans returning to write and direct the second adventure of the Huntrix Girl Group singers.

    Speaking after the news, Kang said, “I feel immense pride as a Korean filmmaker that the audience wants more from this Korean story and our Korean characters. There’s so much more to this world we have built, and I’m excited to show you. This is only the beginning.”

    “These characters are like family to us; their world has become our second home. We’re excited to write their next chapter, challenge them and watch them evolve – and continue pushing the boundaries of how music, animation and story can come together,” added Appelhans.

    Released on Netflix on June 20, 2025, ‘KPop Demon Hunters’ became an instant global hit, and is in the race for the Oscars for the Best Animation, and Best Original Song score ‘Golden’ for the film’s soundtrack written by Ejae and Mark Sonnenblick, and sung by Ejae, Audrey Nuna, and Rei Ami.

    The animation had won the Golden Globes in both categories, and recently swept the Annie Awards and topped the animation contenders at the VES Awards. It has also been recognized by numerous critics’ circles, including the Critics’ Choice Awards.

    The sequel is set to release in the year 2029. (Leadership)

    Posted on Leave a comment

    Disney+ developing ‘Tink’ live-action Tinker Bell drama series

    Disney+ is developing Tink, a live-action drama series based on the Tinker Bell character, according to Deadline.

    The project is being written and executive produced by Liz Heldens and Bridget Carpenter and is produced by 20th Television, with Gary Marsh attached as an executive producer, along with Quinn Haberman from Heldens’ production company Selfish Mermaid.

    The character of Tinker Bell originated in J.M. Barrie’s “Peter Pan” and appeared in Disney’s 1953 animated film Peter Pan. She has appeared in numerous films and series for decades and remains one of the studio’s most recognizable fantasy figures.

    Earlier attempts to develop a live-action project centered on the character date back more than a decade. Variety reported that a version announced in 2010 was planned as a live-action romantic comedy with Elizabeth Banks attached to star, while a separate 2015 feature project was developed with Reese Witherspoon set to play the role. That film project was later reworked after Marsh departed his executive role at Disney Branded Television in 2021 to focus on producing.

    More recently, Yara Shahidi portrayed Tinker Bell in the 2023 live-action film Peter Pan & Wendy.

    Heldens and Carpenter previously collaborated on the television series Friday Night Lights. Heldens’ credits include creating series such as MercyDeceptionCampThe Passage, and The Big Leap, and she currently serves as co-showrunner of ABC’s Will Trent. Carpenter’s television work includes 11.22.63Only Murders in the BuildingParenthoodWestworld, and The Red Road, in addition to her work as a playwright. (AWN)

    Posted on Leave a comment

    Paramount acquires Tyler Perry’s stake in BET+, plans platform merger

    Paramount Global has reached an agreement to acquire Tyler Perry Studios’ equity stake in the streaming service BET+, marking a major shift in the company’s digital streaming strategy.

    The development will see BET+ cease operating as a standalone platform, with its catalogue of more than 1,000 hours of programming integrated into the Paramount+ streaming service by June 2026.

    Although the financial terms of the agreement were not officially disclosed, industry analysts estimate the deal to be worth tens of millions of dollars.

    The acquisition forms part of Paramount’s broader plan to strengthen its global streaming operations and expand its reach in an increasingly competitive digital entertainment market.

    In a memo to staff, BET Networks President Louis Carr described the move as an opportunity to take the platform’s storytelling to a wider audience.

    “This powerful next step ensures the stories we champion, the creators we support and the culture we represent go further than ever before,” Carr said.

    “Paramount+ will bring global fans more than 1,000 hours of iconic series and films that reflect the full spectrum of the Black experience.”

    Under the new arrangement, popular titles such as The Ms. Pat Show, All The Queen’s Men, and Zatima will be available through a dedicated BET hub within the Paramount+ interface.

    Despite the sale of his stake in BET+, Tyler Perry is said to still maintain his long standing creative partnership with BET.

    The network is to continue to operate its traditional television channels as well as its FAST (Free Ad Supported Streaming Television) channels featuring Perry’s productions. (Leadership)

    Posted on Leave a comment

    Sinners dominates 2026 Oscar nominations with record 16 nods

    The nominations for the 98th Academy Awards have been unveiled, with vampire period horror film Sinners emerging as the year’s biggest contender.

    The film earned a record 16 nominations, setting a new mark for the most nominations in a single year and surpassing One Battle After Another, which secured 13 nods.

    Other strong contenders include Frankenstein, Marty Supreme and Sentimental Value, each receiving nine nominations across several categories.

    The awards ceremony is scheduled to take place in Hollywood on Sunday.

    Below are nominees in key categories:

    Best Picture
    Bugonia
    F1
    Frankenstein
    Hamnet
    Marty Supreme
    One Battle After Another
    The Secret Agent
    Sentimental Value
    Sinners
    Train Dreams

    Best Director
    Paul Thomas Anderson — One Battle After Another
    Ryan Coogler — Sinners
    Josh Safdie — Marty Supreme
    Joachim Trier — Sentimental Value
    Chloé Zhao — Hamnet

    Best Actor
    Timothée Chalamet — Marty Supreme
    Leonardo DiCaprio — One Battle After Another
    Ethan Hawke — Blue Moon
    Michael B. Jordan — Sinners
    Wagner Moura — The Secret Agent

    Best Actress
    Jessie Buckley — Hamnet
    Rose Byrne — If I Had Legs I’d Kick You
    Kate Hudson — Song Sung Blue
    Renate Reinsve — Sentimental Value
    Emma Stone — Bugonia

    Best Supporting Actor
    Benicio del Toro — One Battle After Another
    Jacob Elordi — Frankenstein
    Delroy Lindo — Sinners
    Sean Penn — One Battle After Another
    Stellan Skarsgård — Sentimental Value

    Best Supporting Actress
    Elle Fanning — Sentimental Value
    Inga Ibsdotter Lilleaas — Sentimental Value
    Amy Madigan — Weapons
    Wunmi Mosaku — Sinners
    Teyana Taylor — One Battle After Another

    Best International Feature Film

    The Secret Agent (Brazil)
    It Was Just an Accident (France)
    Sentimental Value (Norway)
    Sirat (Spain)
    The Voice of Hind Rajab (Tunisia)

    Best Animated Feature
    Arco
    Elio
    Kpop Demon Hunters
    Little Amelie or the Character of Rain
    Zootopia 2

    Best Documentary Feature

    The Alabama Solution
    Come See Me In The Good Light
    Cutting Through Rocks
    Mr. Nobody Against Putin
    The Perfect Neighbor

    Films With the Most Nominations
    Sinners — 16
    One Battle After Another — 13
    Frankenstein — 9
    Marty Supreme — 9
    Sentimental Value — 9
    Hamnet — 8 (Leadership)

    Posted on Leave a comment

    Disney’s ‘Robin Hood’ live-action remake not moving forward, says Director

    Fans of Disney‘s 1970s animated feature Robin Hood aren’t likely to be feeling particularly merry after the latest update about a potential live-action remake.

    During a recent Reddit AMA, filmmaker Carlos López Estrada said that the studio was not moving forward with his planned photorealistic musical. The Hollywood Reporter exclusively reported in April 2020 that Estrada was in early development on the movie for streaming service Disney+ after deals were finalized prior to the industry shutting down amid the COVID-19 pandemic.

    “It’s dead, sadly,” Estrada wrote in response to a question about the project’s status. “I say ‘sadly’ because I actually thought there was something really special (and original!) there. Some truly extraordinary music we had figured out for it.”

    The Blindspotting director added, “I keep daydreaming about doing it independently with different characters.”

    THR previously reported that Kari Granlund was writing the script for a feature remake that would be a hybrid of live action and CG. Granlund worked on the screenplay for Disney’s 2019 version of Lady and the Tramp, which became the studio’s first remake to debut on a streaming platform.

    Disney has continued to prioritize its theatrical remakes of classic animated properties. This includes a live-action take on Tangled, which is back in active development after THR reported last year that the film’s progress had been paused in light of Rachel Zegler and Gal Gadot’s live-action Snow White underperforming at the box office. Since then, Disney has had a massive hit with the live-action remake of Lilo & Stitch, while Barry Jenkins’ prequel Mufasa: The Lion King also had a strong showing.

    Director Thomas Kail’s live-action remake of Moana hits theaters this summer. Additionally, the studio has been developing a live-action spinoff of Beauty and the Beast villain Gaston and a remake of Hercules from filmmaker Guy Ritchie.

    Robin Hood hit theaters in 1973 and used animated anthropomorphic animals to tell the classic story of the heroic outlaw. Robin Hood and Maid Marian were depicted as red foxes, while Little John was a brown bear, and Prince John was a lion. The film surpassed $32 million at the domestic box office ($234 million today) and earned an Oscar nomination for the song “Love.”

    Bob Iger, who is soon ending his run as Disney CEO, said during a conference call last year that the studio has focused its efforts on theatrical releases after having previously attempted to ramp up its Disney+ roster.

    “We all know that, in our zeal to flood our streaming platform with more content, that we turned to all of our creative engines, including Marvel, and had them produce a lot more,” Iger said. “We’ve also learned over time that quantity does not necessarily beget quality.”

    During his Reddit conversation, Estrada also responded to a question about his experience co-directing Disney’s 2021 animated feature Raya and the Last Dragon.

    “Disney was so special and so hard,” Estrada said. Noting that he was Disney Animation‘s first director of color, he continued, “Needless to say, I lasted only a few years there. But they were really great years. I wouldn’t trade them for the world. But I do have some proper crazy Disney stories that I should share someday.” (THR)

    Posted on Leave a comment

    BBC says broadcast of racial slur at Baftas was ‘genuine mistake’

    The BBC has said the broadcast of a racial slur shouted at the Bafta Film Awards ceremony was the result of a “genuine mistake”, and is examining why it was not removed from iPlayer sooner.

    Tourette’s campaigner John Davidson involuntarily shouted a racial slur while Sinners stars Michael B Jordan and Delroy Lindo were presenting one of the categories.

    The shout was not edited out of the subsequent TV broadcast, which aired on BBC One on a two-hour delay, and the ceremony remained on iPlayer until Monday morning.

    Director general Tim Davie said the BBC “profoundly regrets” what happened, adding that the team editing the ceremony had not heard the word and did not intentionally leave it in.

    The racial slur was audible to those in attendance and for some viewers at home, although the sound quality was muffled.

    “Our initial evidence gathering has found that no-one in the on-site broadcast truck heard this when they were watching the live feed,” Davie said in a letter to Dame Caroline Dinenage, the chair of the Culture, Media and Sport Committee.

    “Because no-one in the broadcast truck was aware it was on the live feed, there was therefore no editorial decision made to leave the language in.”

    The BBC’s chief content officer Kate Phillips previously apologised and told staff that a second racial slur that was heard by the production team had been edited out of the broadcast.

    Davie confirmed the second instance of the racial slur being shouted occurred within 10 minutes of the first, when Sinners star Wunmi Wosaku was accepting the best supporting actress prize.

    “In that instance, the edit team did hear the racial slur on the feed and removed it immediately from the version of the ceremony that would be broadcast later that evening,” Davie said.

    “It appears that soon after the second incident, the edit team in the truck started receiving reports, including from Bafta, that a racial slur had been shouted during the ceremony.

    “Our understanding at this point is that the team editing the show in the truck mistakenly believed they had edited out the incident that was being referenced, on the basis that they had heard and edited out the slur shouted out during the best supporting actress award.

    “Therefore, when they were told a racial slur had been shouted, they believed they had removed it.”

    Davie also addressed criticism that the Bafta ceremony was not removed from iPlayer until just before midday on Monday morning, when attention was drawn to it by journalists and viewers on the night.

    “Following broadcast on BBC One, further reports, including on social media, drew attention to the first instance of the racial slur,” Davie acknowledged.

    “Our current understanding is that the on-site team did not believe that the slur was audible on the broadcast, and the show remained on iPlayer unedited that evening.”

    Davie said there had been “further discussion about the incident overnight”, before the issue was escalated to Phillips, who authorised the removal of the ceremony from iPlayer.

    “We are now looking in more detail why the team did not ascertain sooner that there had been two instances of the use of the racial slur, and why post-broadcast further action was not taken to edit or remove the programme from iPlayer sooner,” he said.

    Davie said the BBC had learned lessons from the broadcast of Bob Vylan’s set at Glastonbury last year, and had additional Editorial Policy staff on shift for the Bafta Film Awards. (BBC)