Posted on Leave a comment

Oscars 2026: ‘One Battle After Another’ wins best picture while ‘Sinners’ makes history

Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance.

The ceremony Sunday, which also saw Michael B Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar.

But “One Battle After Another,” the favorite coming in, won six Oscars, including best director and best adapted screenplay for Anderson, the Oscars’ first trophy for best casting and best supporting actor for an absent Sean Penn.

“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world — we’re handing off to them,” said Anderson while accepting the screenplay trophy. “But also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”

Ryan Coogler’s Jim Crow-set, blues-soaked vampire tale “Sinners,” which came in with a record 16 nominations, also landed some big and even historic wins. Coogler, the widely loved filmmaker, won the first Oscar in an unblemished career that started out with Jordan in 2013’s “Fruitvale Station.”

Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Arkapaw was also the first Black person to win for best cinematography. Only the fourth female cinematographer ever nominated, her win was a long-in-coming triumph for women behind the camera.

“I really want all the women in room to stand up,” said Arkapaw. “Because I don’t feel like I get here without you guys.”

And Jordan, one of Hollywood’s most liked leading men, won best actor in one of the night’s closest races. The Dolby Theatre rose to its feet in the most thunderous applause of the night.

“Yo, momma, what’s up?” said Jordan after staggering to the stage.

The Oscar night belonged to Warner Bros., the studio of “One Battle After Another” and “Sinners,” which scored a record-tying 11 wins. It was an oddly poignant note of triumph for the fabled studio, which weeks earlier agreed to a sale to Paramount Skydance, David Ellison’s rapidly assembled media monolith. The $111 billion deal, which awaits regulatory approval, has Hollywood bracing for more layoffs.

But “Sinners” and “One Battle After Another” — the much-acclaimed heavyweights of the season — were each Hollywood anomalies: big-budget originals born from a personal vision. In a year where anxiety over studio contraction and the rise of artificial intelligence often consumed the industry, both films gave Hollywood fresh hope.

Jessie Buckley won best actress for her performance as Agnes Shakespeare in “Hamnet,” making her the first Irish performer to ever win in the category. At an Oscars where no other acting award seemed a sure thing, Buckley cruised into Sunday’s Oscars at the Dolby Theatre as the overwhelming favorite.

“It’s Mother’s Day in the UK,” said Buckley on the stage. “I would like to dedicated this to the beautiful chaos of a mother’s heart.”

From the start, when host Conan O’Brien sprinted through the year’s nominees as Amy Madigan’s character in the horror thriller “Weapons” in a pre-taped bit, Sunday’s ceremony was quirky, a little clunky and preoccupied with the shifting place of movies in culture. There was, of all things, a tie for best live-action short film.

Host Conan O’Brien performs during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

As expected, the Netflix sensation “KPop Demon Hunters,” 2025’s most-watched film, won best animated feature, as well as best song for “Golden.” It was a big win for Netflix but a more qualified victory for the movie’s producer, Sony Pictures. Though it developed and produced the film, Sony sold “KPop Demon Hunters” to the streaming giant instead of giving it a theatrical release.

On Netflix, “KPop Demon Hunters” became a cultural phenomenon and the streaming platform’s biggest hit. It has more than 325 million views and counting.

“This is for Korea and Koreans everywhere,” said co-director Maggie Kang.

Another Netflix release, Guillermo del Toro’s “Frankenstein” picked up three awards for its lavish craft, for costume design, makeup and hairstyling and for production design.

Amy Madigan won best supporting actress for her performance in the horror thriller “Weapons,” a win that came 40 years after the 75-year-old actor was first nominated, in 1986, for “Twice in a Lifetime.” Letting out a giant laugh as she hit the stage, Madigan exclaimed, “This is great!”

Hosting for the second time, O’Brien began the Dolby Theatre show alluding to “chaotic and frightening times.” But he argued that the current geopolitical climate made the Oscars all the more resonate as a globally unifying force.

“We pay tribute tonight, not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today — optimism,” O’Brien said. “We’re going to celebrate. Not because we think all is well, but because we work, and hope, for better.”

Throughout the show, O’Brien hit a number of targets, like Timothée Chalamet — who again missed out on winning his first Oscar, this time for “Marty Supreme” — for his diss of opera and ballet. But the ceremony seldom wasn’t shadowed by politics, whether in references to changes under U.S. President Donald Trump or the recently launched war in Iran.

Joachim Trier, whose Norwegian family drama “Sentimental Value” won best international film, quoted James Baldwin in his acceptance speech: “All adults are responsible for all children,” he said. “Let’s not vote for politicians that don’t take this seriously into account.”

Presenter Jimmy Kimmel, whose late-night show last year was suspended after comments he made about Charlie Kirk’s killing, was among the most blunt.

“There are some countries that don’t support free speech,” said Kimmel. “I’m not at liberty to say which. Let’s just leave it at North Korea and CBS.”

Shortly after, “Mr. Nobody Against Putin,” a film about a Russian primary schoolteacher who documents his students’ indoctrination to support Russia’s war with Ukraine, won best documentary.

“’Mr. Nobody Against Putin’ is about how you lose your country,” co-director said. “And what we saw when working with this footage is that you lose it through countless, small, little acts of complicity.”

“We all face a moral choice,” he added, “but, luckily, a nobody is more powerful than you think.”

Elegy also marked the Oscars. Producers expanded the in memoriam segment following a year that featured the deaths of so many Hollywood legends, including Keaton, Robert Duvall and Redford. Barbra Streisand spoke about Redford, her “The Way We Were” co-star.

“Bob had real backbone,” said Streisand, who called Redford “an intellectual cowboy” before singing a few bars of “The Way We Were.”

Billy Crystal paid tribute to Rob and Michele Reiner, who were killed in their home in December. Crystal, a close friend of Rob Reiner’s who memorably starred in 1989’s “When Harry Met Sally…” and 1987’s “Princess Bride.” In his moving remarks, Crystal quoted the latter.

“All we can say is: Buddy, how much fun we had storming the castle,” said Crystal.

Yet again, the night’s final award again didn’t go to a streaming release; Apple’s “CODA” remains the only streaming film to achieve that distinction. “Sinners” and “One Battle After Another” were both theatrical releases shot on film.

Apple’s top contender this time, the Formula One race drama “F1,” a movie that it partnered with Warner Bros. to distribute theatrically, won for best sound. The lone blockbuster of the year to go home with a win was “Avatar: Fire and Ash,” for visual effects.

Some of O’Brien’s best digs came at the expense of the streamers. Netflix chief Ted Sarandos, he joked, was in a theater for the first time. The host also lamented the lack of nominees for Amazon MGM: “Why isn’t the website I order toilet paper from winning more Oscars?”

“I’m honored to be the last human host of the Academy Awards,” said O’Brien. “Next year it’s going to be a Waymo in a tux.” (JapanToday)

Posted on Leave a comment

Netflix okays sequel of ‘KPop Demon Hunters’

Netflix has confirmed that a sequel to the ‘KPop Demon Hunters’ animation feature is in the works, with Maggie Kang and Chris Appelhans returning to write and direct the second adventure of the Huntrix Girl Group singers.

Speaking after the news, Kang said, “I feel immense pride as a Korean filmmaker that the audience wants more from this Korean story and our Korean characters. There’s so much more to this world we have built, and I’m excited to show you. This is only the beginning.”

“These characters are like family to us; their world has become our second home. We’re excited to write their next chapter, challenge them and watch them evolve – and continue pushing the boundaries of how music, animation and story can come together,” added Appelhans.

Released on Netflix on June 20, 2025, ‘KPop Demon Hunters’ became an instant global hit, and is in the race for the Oscars for the Best Animation, and Best Original Song score ‘Golden’ for the film’s soundtrack written by Ejae and Mark Sonnenblick, and sung by Ejae, Audrey Nuna, and Rei Ami.

The animation had won the Golden Globes in both categories, and recently swept the Annie Awards and topped the animation contenders at the VES Awards. It has also been recognized by numerous critics’ circles, including the Critics’ Choice Awards.

The sequel is set to release in the year 2029. (Leadership)

Posted on Leave a comment

‘Sinners’ breaks records at 2026 Oscar nominations

The horror film “Sinners” by Ryan Coogler broke Oscar history by earning a total 16 Oscar nominations on Thursday for the 98th Academy Awards, which will be presented on March 15. The previous record of 14 had been held by “All About Eve,” “Titantic” and “La La Land.”

The nominations were additionally notable as horror films tend to be excluded from Oscar honors.

Directed by Ryan Coogler, the film features actor Michael B. Jordan in a dual role of twin brothers who face supernatural forces in the southern US of the Jim Crow era. 

“Sinners” is considered a frontrunner in the best picture category. It will also compete for best director, best screenplay, best lead actor, and best original song, among others. 

A total of 10 films were nominated for the best picture Oscar on Thursday. In addition to “Sinners,” “One Battle After Another” and “Sentimental Value” are also seen as strong contenders. 

The latter, “Sentimental Value,” a family drama, recently swept the European Film Awards.

The other best picture nominees are “Bugonia,” “F1,” “Frankenstein,” “Hamnet,” “Marty Supreme,” “The Secret Agent,” and “Train Dreams.” The films were selected out of 201 contenders.

“One Battle After Another,” a father-daughter revolutionary saga, placed second for total nominations, with a total of 13 nods that included best director (Paul Thomas Anderson) and four best actor awards.

Alongside Coogler and Anderson, the other contenders for best director are Chloe Zhao (“Hamnet”), Josh Safdie (“Marty Supreme”) and Joachim Trier (“Sentimental Value”).

Timothee Chalamet, Leonardo DiCaprio, Ethan Hawke, Michael B. Jordan and Wagner Moura all received nominations for best actor in a leading role, while Jessie Buckley, Rose Byrne, Kate Hudson, Renate Reinsve and Emma Stone were nominated in the leading actress category.

Best casting, the first new category to be added to the Oscars in 25 years, highlights the work of selecting actors for a film. Five films received nominations, including “Sinners.”

The animated musical smash hit “KPop Demon Hunters” received nods for best animated film, where it is considered the favorite, and for best original song for the earworm “Golden.” The film was released on Netflix — and went on to break the streaming platform’s all-time viewing record — but qualified for the Oscars based on a limited sing-along release in theaters.

Meanwhile, on the international front, films from Brazil (“The Secret Agent”), France (“It was Just an Accident”), Norway (“Sentimental Value”), Spain (“Sirat”) and Tunisia (“The Voice of Hind Rajab”) made it to the final for the best international feature film award.

Germany’s entry to the competition, “Sound of Falling,” did not make it to the final.

The full list of nominations is available at the Oscar website (DW)

Posted on Leave a comment

KPop Demon Hunters wins Golden Globes for best animated film

Netflix mega-hit KPop Demon Hunters has won a Golden Globe for best animated feature, while its breakout anthem Golden was named best original song.

The animated film, which centres on a girl band Huntr/x that uses music to save the world from evil forces, has scored many chart-topping achievements since it premiered in June.

“Through this film we really wanted to depict female characters the way that we know women, which is really strong and bold,” director Maggie Kang said.

Fellow director Chris Appelhans, who accepted the best animated feature award with Kang, called the film a “love letter to music”. “To the power it has to connect us, to make us see some kind of shared humanity,” he said.

Fans have spoken of how the film’s empowering themes of self-acceptance, community, and fighting against inner “demons” resonated with them.

Singer-songwriter Ejae, who co-wrote and performed Golden, accepted the award for best original song along with Mark Sonnenblick and Lee Hee-joon.

In a tearful speech, she recalled her “tireless” pursuit early in her career to become a K-pop idol had ended with rejection and disappointment.

She dedicated the award to “people who have [had] their doors closed at them”. “It’s never too late to shine like you were born to be”, she said, quoting the song’s lyrics.

“I’m so part of a song that is helping other girls, other boys and everyone all get through their hardship to accept themselves,” she said.

KPop Demon Hunters quickly became an animated sensation since its release in June.

It became Netflix’s most-watched film of all time within two months, with Golden clinching the number one spot on the Billboard Hot 100 just weeks after it dropped. Another track, Your Idol, made it to number eight on the Hot 100.

Sunday’s Golden Globe accolades come after the film was named best animated feature and Golden named best song at the Critics Choice Award early this month.

Ejae earlier told the BBC that the film’s success “feels like a dream”.

“It’s like I’m surfing for the first time and a big wave just came through,” she told BBC Newsbeat. “I’m trying my best to get through it.

Korean-American actress Arden Cho, who voiced the main character Rumi, said her life mirrored Rumi’s journey.

“I can honestly say that at different points in my life, I hated a lot of myself and I wanted to be someone else,” she told BBC Global Women.

“I hated that I looked Asian, that I didn’t have blue eyes and blonde hair, because that’s what was beautiful at the time.”

Cho said the film was a tribute to people in underrepresented communities – it’s a film that brings “hope and joy and love to all these different communities”.

The film’s success at the Golden Globes – often seen as a prelude to the Academy Awards – will likely stoke Oscar buzz.

KPop Demon Hunters is one of 35 film features eligible for the animated feature category at this year’s Oscars. However the films shortlisted for this category has not yet been announced. (BBC)

Posted on Leave a comment

Demon-hunting HUNTR/X to debut live performance on ‘The Tonight Show’ next week


The singing trio behind HUNTR/X, the fictional music group at the center of the summer’s massively popular animated film “KPop Demon Hunters,” is scheduled to perform live for the first time Oct 7 on “The Tonight Show Starring Jimmy Fallon.”

The NBC show announced that Ejae, Audrey Nuna, and Rei Ami will perform their smash hit “Golden” from the Sony Pictures/Netflix film that gave Netflix is first No. 1 box-office title in the streaming company’s 18-year history. The film’s soundtrack topped the charts.

The three will also join Fallon on the couch for interviews. Their appearance will stream the next day on Peacock. Jennifer Lopez is also a guest.

The film centers on Huntr/X, the superstar K-pop trio who double as demon hunters. The members, Rumi (Arden Cho), Mira (May Hong) and Zooey (Ji-young Yoo), must protect their fans and face their biggest enemy yet: a rival boy band made up of demons in disguise.

Fans have flooded the internet with art, covers, cosplay and choreography in response to the movie, which continues to be a mainstay on Netflix’s weekly Top 10 list since its launch 14 weeks ago. (JapanToday)

Posted on Leave a comment

‘KPop Demon Hunters’ completes another chart double in Australia

It’s another chart week, another chart double for KPop Demon Hunters (Republic/Universal) in Australia.

The soundtrack to the hit animated Netflix film is flying at the top of the ARIA leaderboard for a ninth non-consecutive week. Among soundtracks, ARIA reports, that effort equals the nine week run by the 1997 soundtrack for Baz Luhrmann’s Romeo & Juliet.

Since the ARIA Charts were first published in 1983, only four soundtracks have logged more weeks at the top, according to the charts compiler: the Australian cast recording of Jesus Christ Superstar (10 weeks in 1992); plus Titanic (1998), Moulin Rouge (2001) and A Star Is Born (2018), which each led for 11 weeks.

Meanwhile, the top track from KPop Demon Hunters, “Golden,” reigns over the ARIA Singles Chart for a ninth consecutive week. That’s closing in on the all-time mark for a hit from an animated film, currently set at 12 weeks by Pharrell Williams’ 2014 single “Happy” from Despicable Me 2.

Back with the ARIA Albums Chart, Ocean Alley’s Love Balloon (via Community Music) lifts off for a No. 3 debut, the highest start for any new release on the current frame, published Friday, Sept. 26.

Recorded in three stints over about three months, Love Balloon is Ocean Alley’s fifth studio album, and first recorded with legendary American rock producer Nick DiDia (Bruce Springsteen, Rage Against The Machine).

With that bright start, Love Balloon is the Sydney indie-rock outfit’s third consecutive collection to hit No. 3, following 2020’s Lonely Diamond and 2022’s Low Altitude Living. Their breakthrough second album from 2018, Chiaroscuro, which housed the triple j Hottest 100 leader “Confidence,” reached No. 11 on the national survey.

Ocean Alley scores silverware as Love Balloon is crowned on the ARIA Top 20 Australian Albums chart, a feat they celebrated Saturday at London’s Alexandra Palace, with a headline show for more than 8,000 fans.

Also debuting in the top tier is Cardi B‘s sophomore studio album, Am I The Drama? (Atlantic/Warner), new at No. 8. Drama is the followup to the Bronx rapper’s 2018, Invasion Of Privacy, which peaked at No. 5.

Trent Reznor’s Nine Inch Nails bags a top 10 with the soundtrack to TRON: Ares (Interscope/Universal). It’s new at No. 10 for the American industrial rock act’s sixth top tier effort in Australia, a tally that includes a best of No. 2 for 1999’s The Fragile. Daft Punk’s soundtrack to TRON: Legacy reached No. 17 in 2011.

Lola Young just misses out on a top 10 berth with I’m Only F—ing Myself (Island/Universal), her third album. It’s new at No. 12, for the British singer’s first ARIA Albums Chart appearance.

Further down the list, published late Friday, September 26th, Brisbane band Platonic Sex crack the top 40 with their debut album Face To The Flywire (Orchard). It’s new at No. 31. (Billboard)

Posted on Leave a comment

Kpop Demon Hunters becomes Netflix’s most viewed film ever

KPop Demon Hunters has climbed “up, up, up” Netflix’s charts to become its most viewed movie ever, the streaming platform says.

Since its release in June, the animated musical has been watched more than 236 million times, overtaking the action comedy Red Notice to take the top spot.

It is the latest in a series of chart-topping achievements by the film, which has become a surprise global hit.

Songs from the movie have also been some of the most streamed online on Spotify, while the track Golden hit number one on the Billboard Hot 100 earlier this month.

Produced by Sony Pictures Animation, Kpop Demon Hunters follows the adventures of fictional K-pop girl band Huntr/x as its three members use their music and fighting skills to protect humans from demons.

It was launched in June with a relatively low-key premiere at Netflix’s Tudum theatre in Los Angeles.

But over the summer the film gained momentum through word of mouth, boosted by viral videos and memes on social media.

Many have praised it for its eye-catching animation and its depiction of both traditional and modern Korean culture.

But the biggest attraction for many has been the movie’s catchy K-pop songs. Some of the soundtrack’s producers and songwriters are K-pop industry veterans who have worked with groups such as BTS and Twice.

Maggie Kang, the Korean-Canadian co-director of the film, previously said that they had wanted the film’s music to be “really incredible and really speak to the K-pop fans and be legitimately fit into the K-pop space”.

Capitalising on the songs’ popularity, Netflix released a sing-along version of Kpop Demon Hunters in cinemas in the US, Canada, UK, Ireland, Australia, and New Zealand last weekend.

This netted Netflix its first number one film at the US box office. It has since released the sing-along version worldwide on its platform.

Many songs on the soundtrack have entered the top 10 of Spotify’s global chart, with Golden currently still at number one.

That track, along with Your Idol by Saja Boys, the arch enemies of Huntr/x in the film, have at different times topped the US Spotify chart.

This has made Huntr/x and Saja Boys the highest charting female and male K-pop groups in US Spotify history – surpassing real-life K-pop juggernauts BTS and Blackpink.

The Kpop Demon Hunters soundtrack has also become the first to have four simultaneous Top 10 hits on the Billboard Hot 100.

Talks about a film sequel are reportedly in the early stages. (BBC)