Posted on Leave a comment

Oscars 2026: ‘One Battle After Another’ wins best picture while ‘Sinners’ makes history

Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance.

The ceremony Sunday, which also saw Michael B Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar.

But “One Battle After Another,” the favorite coming in, won six Oscars, including best director and best adapted screenplay for Anderson, the Oscars’ first trophy for best casting and best supporting actor for an absent Sean Penn.

“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world — we’re handing off to them,” said Anderson while accepting the screenplay trophy. “But also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”

Ryan Coogler’s Jim Crow-set, blues-soaked vampire tale “Sinners,” which came in with a record 16 nominations, also landed some big and even historic wins. Coogler, the widely loved filmmaker, won the first Oscar in an unblemished career that started out with Jordan in 2013’s “Fruitvale Station.”

Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Arkapaw was also the first Black person to win for best cinematography. Only the fourth female cinematographer ever nominated, her win was a long-in-coming triumph for women behind the camera.

“I really want all the women in room to stand up,” said Arkapaw. “Because I don’t feel like I get here without you guys.”

And Jordan, one of Hollywood’s most liked leading men, won best actor in one of the night’s closest races. The Dolby Theatre rose to its feet in the most thunderous applause of the night.

“Yo, momma, what’s up?” said Jordan after staggering to the stage.

The Oscar night belonged to Warner Bros., the studio of “One Battle After Another” and “Sinners,” which scored a record-tying 11 wins. It was an oddly poignant note of triumph for the fabled studio, which weeks earlier agreed to a sale to Paramount Skydance, David Ellison’s rapidly assembled media monolith. The $111 billion deal, which awaits regulatory approval, has Hollywood bracing for more layoffs.

But “Sinners” and “One Battle After Another” — the much-acclaimed heavyweights of the season — were each Hollywood anomalies: big-budget originals born from a personal vision. In a year where anxiety over studio contraction and the rise of artificial intelligence often consumed the industry, both films gave Hollywood fresh hope.

Jessie Buckley won best actress for her performance as Agnes Shakespeare in “Hamnet,” making her the first Irish performer to ever win in the category. At an Oscars where no other acting award seemed a sure thing, Buckley cruised into Sunday’s Oscars at the Dolby Theatre as the overwhelming favorite.

“It’s Mother’s Day in the UK,” said Buckley on the stage. “I would like to dedicated this to the beautiful chaos of a mother’s heart.”

From the start, when host Conan O’Brien sprinted through the year’s nominees as Amy Madigan’s character in the horror thriller “Weapons” in a pre-taped bit, Sunday’s ceremony was quirky, a little clunky and preoccupied with the shifting place of movies in culture. There was, of all things, a tie for best live-action short film.

Host Conan O’Brien performs during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

As expected, the Netflix sensation “KPop Demon Hunters,” 2025’s most-watched film, won best animated feature, as well as best song for “Golden.” It was a big win for Netflix but a more qualified victory for the movie’s producer, Sony Pictures. Though it developed and produced the film, Sony sold “KPop Demon Hunters” to the streaming giant instead of giving it a theatrical release.

On Netflix, “KPop Demon Hunters” became a cultural phenomenon and the streaming platform’s biggest hit. It has more than 325 million views and counting.

“This is for Korea and Koreans everywhere,” said co-director Maggie Kang.

Another Netflix release, Guillermo del Toro’s “Frankenstein” picked up three awards for its lavish craft, for costume design, makeup and hairstyling and for production design.

Amy Madigan won best supporting actress for her performance in the horror thriller “Weapons,” a win that came 40 years after the 75-year-old actor was first nominated, in 1986, for “Twice in a Lifetime.” Letting out a giant laugh as she hit the stage, Madigan exclaimed, “This is great!”

Hosting for the second time, O’Brien began the Dolby Theatre show alluding to “chaotic and frightening times.” But he argued that the current geopolitical climate made the Oscars all the more resonate as a globally unifying force.

“We pay tribute tonight, not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today — optimism,” O’Brien said. “We’re going to celebrate. Not because we think all is well, but because we work, and hope, for better.”

Throughout the show, O’Brien hit a number of targets, like Timothée Chalamet — who again missed out on winning his first Oscar, this time for “Marty Supreme” — for his diss of opera and ballet. But the ceremony seldom wasn’t shadowed by politics, whether in references to changes under U.S. President Donald Trump or the recently launched war in Iran.

Joachim Trier, whose Norwegian family drama “Sentimental Value” won best international film, quoted James Baldwin in his acceptance speech: “All adults are responsible for all children,” he said. “Let’s not vote for politicians that don’t take this seriously into account.”

Presenter Jimmy Kimmel, whose late-night show last year was suspended after comments he made about Charlie Kirk’s killing, was among the most blunt.

“There are some countries that don’t support free speech,” said Kimmel. “I’m not at liberty to say which. Let’s just leave it at North Korea and CBS.”

Shortly after, “Mr. Nobody Against Putin,” a film about a Russian primary schoolteacher who documents his students’ indoctrination to support Russia’s war with Ukraine, won best documentary.

“’Mr. Nobody Against Putin’ is about how you lose your country,” co-director said. “And what we saw when working with this footage is that you lose it through countless, small, little acts of complicity.”

“We all face a moral choice,” he added, “but, luckily, a nobody is more powerful than you think.”

Elegy also marked the Oscars. Producers expanded the in memoriam segment following a year that featured the deaths of so many Hollywood legends, including Keaton, Robert Duvall and Redford. Barbra Streisand spoke about Redford, her “The Way We Were” co-star.

“Bob had real backbone,” said Streisand, who called Redford “an intellectual cowboy” before singing a few bars of “The Way We Were.”

Billy Crystal paid tribute to Rob and Michele Reiner, who were killed in their home in December. Crystal, a close friend of Rob Reiner’s who memorably starred in 1989’s “When Harry Met Sally…” and 1987’s “Princess Bride.” In his moving remarks, Crystal quoted the latter.

“All we can say is: Buddy, how much fun we had storming the castle,” said Crystal.

Yet again, the night’s final award again didn’t go to a streaming release; Apple’s “CODA” remains the only streaming film to achieve that distinction. “Sinners” and “One Battle After Another” were both theatrical releases shot on film.

Apple’s top contender this time, the Formula One race drama “F1,” a movie that it partnered with Warner Bros. to distribute theatrically, won for best sound. The lone blockbuster of the year to go home with a win was “Avatar: Fire and Ash,” for visual effects.

Some of O’Brien’s best digs came at the expense of the streamers. Netflix chief Ted Sarandos, he joked, was in a theater for the first time. The host also lamented the lack of nominees for Amazon MGM: “Why isn’t the website I order toilet paper from winning more Oscars?”

“I’m honored to be the last human host of the Academy Awards,” said O’Brien. “Next year it’s going to be a Waymo in a tux.” (JapanToday)

Posted on Leave a comment

Sinners dominates 2026 Oscar nominations with record 16 nods

The nominations for the 98th Academy Awards have been unveiled, with vampire period horror film Sinners emerging as the year’s biggest contender.

The film earned a record 16 nominations, setting a new mark for the most nominations in a single year and surpassing One Battle After Another, which secured 13 nods.

Other strong contenders include Frankenstein, Marty Supreme and Sentimental Value, each receiving nine nominations across several categories.

The awards ceremony is scheduled to take place in Hollywood on Sunday.

Below are nominees in key categories:

Best Picture
Bugonia
F1
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Train Dreams

Best Director
Paul Thomas Anderson — One Battle After Another
Ryan Coogler — Sinners
Josh Safdie — Marty Supreme
Joachim Trier — Sentimental Value
Chloé Zhao — Hamnet

Best Actor
Timothée Chalamet — Marty Supreme
Leonardo DiCaprio — One Battle After Another
Ethan Hawke — Blue Moon
Michael B. Jordan — Sinners
Wagner Moura — The Secret Agent

Best Actress
Jessie Buckley — Hamnet
Rose Byrne — If I Had Legs I’d Kick You
Kate Hudson — Song Sung Blue
Renate Reinsve — Sentimental Value
Emma Stone — Bugonia

Best Supporting Actor
Benicio del Toro — One Battle After Another
Jacob Elordi — Frankenstein
Delroy Lindo — Sinners
Sean Penn — One Battle After Another
Stellan Skarsgård — Sentimental Value

Best Supporting Actress
Elle Fanning — Sentimental Value
Inga Ibsdotter Lilleaas — Sentimental Value
Amy Madigan — Weapons
Wunmi Mosaku — Sinners
Teyana Taylor — One Battle After Another

Best International Feature Film

The Secret Agent (Brazil)
It Was Just an Accident (France)
Sentimental Value (Norway)
Sirat (Spain)
The Voice of Hind Rajab (Tunisia)

Best Animated Feature
Arco
Elio
Kpop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

Best Documentary Feature

The Alabama Solution
Come See Me In The Good Light
Cutting Through Rocks
Mr. Nobody Against Putin
The Perfect Neighbor

Films With the Most Nominations
Sinners — 16
One Battle After Another — 13
Frankenstein — 9
Marty Supreme — 9
Sentimental Value — 9
Hamnet — 8 (Leadership)

Posted on Leave a comment

Udo Kier, German Actor who appeared in ‘‘My Own Private Idaho,’’ ‘‘Andy Warhol’s Frankenstein,’’ dies at 81

Udo Kier, a German actor and cult icon who collaborated with everyone from Andy Warhol to Lars von Trier to Madonna, died on Sunday morning in Palm Springs, according to his partner, artist Delbert McBride. He was 81.

Among the more than 200 films in his expansive body of work, Kier’s breakout collaborations with Warhol are among his most celebrated. Kier starred in the titular roles in both 1973’s “Flesh for Frankenstein” and 1974’s “Blood for Dracula.” Both directed by Paul Morrissey and produced by Warhol, the films are subversive, sultry reimaginings of the classic Hollywood monsters, with Kier bringing a haunting yet comically inept spin on the title characters.

That pair of films made Kier famous, and he spent the next two decades working through Europe and collaborating with legendary writer-director Rainer Werner Fassbinder on films like “The Stationmaster’s Wife,” “The Third Generation” and “Lili Marleen.” Then, at the Berlin Film Festival, Kier met future two-time Oscar-nominated director Gus Van Sant, who Kier credits with securing him an American work permit and a SAG card.

In 1991, Van Sant widely introduced Kier to American audiences with his coming-of-age drama “My Own Private Idaho,” loosely based on Shakespeare’s “Henry IV.” Kier appeared in a supporting role alongside stars River Phoenix and Keanu Reeves.

Around the same time, Kier began his lifelong collaboration with von Trier. Starting in the late ’80s with “Epidemic,” Kier appeared in the 1991 film “Europa” before appearing in several episodes of von Trier’s long-running horror-thriller series “The Kingdom” through the ’90s and aughts. Their other film collaborations include “Breaking the Waves,” “Dancer in the Dark,” “Dogville,” “Melancholia” and “Nymphomaniac: Vol. II.”

The 1990s also saw Kier in several supporting roles in major Hollywood productions, such as “Ace Ventura: Pet Detective,” “Armageddon” and “Blade.” He also appeared in Madonna’s book “Sex” in 1992, and made appearances in her music videos for “Erotica” and “Deeper and Deeper” from her album “Erotica.”

Most recently, Kier appeared in Kleber Mendonça Filho’s awards darling “The Secret Agent.” The film earned star Wagner Moura the honor for best actor at the 2025 Cannes Film Festival.

Born Udo Kierspe in Cologne, Germany, in a hospital that was being bombed by Allied Forces, he moved to London at 18 after meeting Fassbinder in a bar.

“I liked the attention, so I became an actor,” he told Variety‘s Peter Debruge in a 2024 interview.

After working between Europe and the U.S. for many decades, Kier settled in Los Angeles and Palm Springs, where he lived in a former mid-century library and cultivated interests in art, architecture and collecting. He was a fixture at the Palm Springs Film Festival, where he warmly received accolades from fans. (Variety)