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Oscars 2026: ‘One Battle After Another’ wins best picture while ‘Sinners’ makes history

Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance.

The ceremony Sunday, which also saw Michael B Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar.

But “One Battle After Another,” the favorite coming in, won six Oscars, including best director and best adapted screenplay for Anderson, the Oscars’ first trophy for best casting and best supporting actor for an absent Sean Penn.

“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world — we’re handing off to them,” said Anderson while accepting the screenplay trophy. “But also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”

Ryan Coogler’s Jim Crow-set, blues-soaked vampire tale “Sinners,” which came in with a record 16 nominations, also landed some big and even historic wins. Coogler, the widely loved filmmaker, won the first Oscar in an unblemished career that started out with Jordan in 2013’s “Fruitvale Station.”

Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Arkapaw was also the first Black person to win for best cinematography. Only the fourth female cinematographer ever nominated, her win was a long-in-coming triumph for women behind the camera.

“I really want all the women in room to stand up,” said Arkapaw. “Because I don’t feel like I get here without you guys.”

And Jordan, one of Hollywood’s most liked leading men, won best actor in one of the night’s closest races. The Dolby Theatre rose to its feet in the most thunderous applause of the night.

“Yo, momma, what’s up?” said Jordan after staggering to the stage.

The Oscar night belonged to Warner Bros., the studio of “One Battle After Another” and “Sinners,” which scored a record-tying 11 wins. It was an oddly poignant note of triumph for the fabled studio, which weeks earlier agreed to a sale to Paramount Skydance, David Ellison’s rapidly assembled media monolith. The $111 billion deal, which awaits regulatory approval, has Hollywood bracing for more layoffs.

But “Sinners” and “One Battle After Another” — the much-acclaimed heavyweights of the season — were each Hollywood anomalies: big-budget originals born from a personal vision. In a year where anxiety over studio contraction and the rise of artificial intelligence often consumed the industry, both films gave Hollywood fresh hope.

Jessie Buckley won best actress for her performance as Agnes Shakespeare in “Hamnet,” making her the first Irish performer to ever win in the category. At an Oscars where no other acting award seemed a sure thing, Buckley cruised into Sunday’s Oscars at the Dolby Theatre as the overwhelming favorite.

“It’s Mother’s Day in the UK,” said Buckley on the stage. “I would like to dedicated this to the beautiful chaos of a mother’s heart.”

From the start, when host Conan O’Brien sprinted through the year’s nominees as Amy Madigan’s character in the horror thriller “Weapons” in a pre-taped bit, Sunday’s ceremony was quirky, a little clunky and preoccupied with the shifting place of movies in culture. There was, of all things, a tie for best live-action short film.

Host Conan O’Brien performs during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

As expected, the Netflix sensation “KPop Demon Hunters,” 2025’s most-watched film, won best animated feature, as well as best song for “Golden.” It was a big win for Netflix but a more qualified victory for the movie’s producer, Sony Pictures. Though it developed and produced the film, Sony sold “KPop Demon Hunters” to the streaming giant instead of giving it a theatrical release.

On Netflix, “KPop Demon Hunters” became a cultural phenomenon and the streaming platform’s biggest hit. It has more than 325 million views and counting.

“This is for Korea and Koreans everywhere,” said co-director Maggie Kang.

Another Netflix release, Guillermo del Toro’s “Frankenstein” picked up three awards for its lavish craft, for costume design, makeup and hairstyling and for production design.

Amy Madigan won best supporting actress for her performance in the horror thriller “Weapons,” a win that came 40 years after the 75-year-old actor was first nominated, in 1986, for “Twice in a Lifetime.” Letting out a giant laugh as she hit the stage, Madigan exclaimed, “This is great!”

Hosting for the second time, O’Brien began the Dolby Theatre show alluding to “chaotic and frightening times.” But he argued that the current geopolitical climate made the Oscars all the more resonate as a globally unifying force.

“We pay tribute tonight, not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today — optimism,” O’Brien said. “We’re going to celebrate. Not because we think all is well, but because we work, and hope, for better.”

Throughout the show, O’Brien hit a number of targets, like Timothée Chalamet — who again missed out on winning his first Oscar, this time for “Marty Supreme” — for his diss of opera and ballet. But the ceremony seldom wasn’t shadowed by politics, whether in references to changes under U.S. President Donald Trump or the recently launched war in Iran.

Joachim Trier, whose Norwegian family drama “Sentimental Value” won best international film, quoted James Baldwin in his acceptance speech: “All adults are responsible for all children,” he said. “Let’s not vote for politicians that don’t take this seriously into account.”

Presenter Jimmy Kimmel, whose late-night show last year was suspended after comments he made about Charlie Kirk’s killing, was among the most blunt.

“There are some countries that don’t support free speech,” said Kimmel. “I’m not at liberty to say which. Let’s just leave it at North Korea and CBS.”

Shortly after, “Mr. Nobody Against Putin,” a film about a Russian primary schoolteacher who documents his students’ indoctrination to support Russia’s war with Ukraine, won best documentary.

“’Mr. Nobody Against Putin’ is about how you lose your country,” co-director said. “And what we saw when working with this footage is that you lose it through countless, small, little acts of complicity.”

“We all face a moral choice,” he added, “but, luckily, a nobody is more powerful than you think.”

Elegy also marked the Oscars. Producers expanded the in memoriam segment following a year that featured the deaths of so many Hollywood legends, including Keaton, Robert Duvall and Redford. Barbra Streisand spoke about Redford, her “The Way We Were” co-star.

“Bob had real backbone,” said Streisand, who called Redford “an intellectual cowboy” before singing a few bars of “The Way We Were.”

Billy Crystal paid tribute to Rob and Michele Reiner, who were killed in their home in December. Crystal, a close friend of Rob Reiner’s who memorably starred in 1989’s “When Harry Met Sally…” and 1987’s “Princess Bride.” In his moving remarks, Crystal quoted the latter.

“All we can say is: Buddy, how much fun we had storming the castle,” said Crystal.

Yet again, the night’s final award again didn’t go to a streaming release; Apple’s “CODA” remains the only streaming film to achieve that distinction. “Sinners” and “One Battle After Another” were both theatrical releases shot on film.

Apple’s top contender this time, the Formula One race drama “F1,” a movie that it partnered with Warner Bros. to distribute theatrically, won for best sound. The lone blockbuster of the year to go home with a win was “Avatar: Fire and Ash,” for visual effects.

Some of O’Brien’s best digs came at the expense of the streamers. Netflix chief Ted Sarandos, he joked, was in a theater for the first time. The host also lamented the lack of nominees for Amazon MGM: “Why isn’t the website I order toilet paper from winning more Oscars?”

“I’m honored to be the last human host of the Academy Awards,” said O’Brien. “Next year it’s going to be a Waymo in a tux.” (JapanToday)

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Actor awards 2026: Michael B Jordan, Jessie Buckley and Catherine O’Hara among big winners

Michael B Jordan, Jessie Buckley and the late Catherine O’Hara were among the big winners at this year’s newly titled Actor awards.

Previously known as the Screen Actors Guild awards, the Actors are voted on by a membership of more than 160,000 actors. The name change was to provide “clearer recognition in terms of what the show is about”.

Jordan beat out the hotly predicted favourite Timothée Chalamet for the best lead male actor award, for his dual role in acclaimed vampire thriller Sinners. Jordan paid tribute to director and longtime collaborator Ryan Coogler, and the “love and support” from the many actors in the room who watched him grow up in the spotlight. This weekend also saw Jordan pick up the NAACP image award for entertainer and actor of the year.

The big screen ensemble award went to the cast of Sinners, also including Delroy Lindo and Wunmi Mosaku. “This project is anointed and from that standpoint, we’re all anointed to be part of this incredible journey,” Lindo said on behalf of the cast.

Buckley followed her wins at the Baftas and Golden Globes with another best lead female actor award for her performance in Chloé Zhao’s semi-fictionalised period drama Hamnet, beating Emma Stone and Rose Byrne. “I have been categorically changed by so many people in this room and beyond,” she said on stage.

Sean Penn was named best supporting male actor for his performance in One Battle After Another after also winning the Bafta last weekend. The actor was not at the ceremony to accept his award.

Weapons villain Amy Madigan enjoyed a surprise victory, beating favourite Teyana Taylor to take home the award for supporting female actor. “It’s such an honour to be here, I’ve been doing this for a long ass time,” she said, adding: “As you can tell, I’m nervous and overwhelmed and just so happy.”

After major wins at the Emmys and Golden Globes, Apple’s freshman industry series The Studio also dominated tonight’s comedy trophies. It picked up three awards, including a win for comedy ensemble against competition from previous winners The Bear and Only Murders in the Building.

The Studio’s co-creator Seth Rogen was also named best male actor for his role in the show, beating co-star Ike Barinholtz, while the late Catherine O’Hara, who died in January this year, was given a rare posthumous award for her performance.

Rogen collected on her behalf to a standing ovation from the audience, calling it a “very sad honour”.

“I know she would have been honoured to receive this award from her fellow performers,” he said, praising her “ability to be generous and kind and gracious while never ever minimising her own talents and her own ability to contribute to the work she was doing”.

The drama ensemble award was given to the cast of breakout medical drama The Pitt, beating The White Lotus and Severence. “I’ve never been more proud of a group of people in my life,” star Noah Wyle said. “We’re so grateful for this, I can’t even tell you.”

Wyle, who had previously won with the ensemble of ER four times in the 1990s, was also named best male actor in a drama series and used his speech to praise the work of labour unions.

Netflix’s smash hit drama Adolescence continued its impressive awards run, with a win for Owen Cooper as best male actor in a limited series. At 16, he’s become the youngest ever winner in this category, after Emmy and Golden Globe wins. The actor, who recently appeared in Wuthering Heights, wasn’t in attendance to accept.

Michelle Williams beat Cooper’s co-star Erin Doherty to win best female actor in a limited series for her role in acclaimed comedy drama Dying for Sex, her second Actor award after winning for Fosse/Verdon in 2020. Doherty had already won an Emmy and a Golden Globe for her performance.

The Diplomat’s Keri Russell was a surprise first-time winner of the female actor in a drama series award, beating Pluribus’s Rhea Seehorn and The White Lotus actors Parker Posey and Aimee Lou Wood.

Harrison Ford was the recipient of this year’s life achievement award, presented to him by Woody Harrelson who called him “a true renaissance man” in his introduction.

“I feel incredibly grateful for this kind attention but to be clear, I’m also quite humbled,” Ford said onstage, joking that it was a prize for “being alive”. He later added, in an emotive speech, that he sees himself as “a lucky guy – lucky to have found my people, lucky to have work that challenges me, lucky to still be doing it and I don’t take that for granted.”

The year’s stunt ensemble awards were won by Mission: Impossible – The Final Reckoning and The Last of Us.

The ceremony, which aired live on Netflix, was hosted by Nobody Wants This actor Kristen Bell, who kicked the night off by saying: “I think the world could use some levity right now so we’re gonna keep things fun tonight.”

The night was light on political speeches but on the red carpet, wearing an “ICE out” pin, Wunmi Mosaku called ICE “atrocious”. “I don’t believe in what this administration is inflicting on the people in this country,” she said.

Later in the evening, Sag-Aftra president and Lord of the Rings actor Sean Astin offered “a sincere prayer for peace” on behalf of the acting community.

Last year’s winners included Timothée Chalamet, Demi Moore, Kieran Culkin and Zoe Saldana for film and Anna Sawai, Jessica Gunning, Jean Smart and Colin Farrell for television. (Guardian)

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Jane Fonda relaunches Cold War-era Hollywood free speech movement

Jane Fonda and hundreds of Hollywood celebrities have relaunched a Cold War-era free speech protest movement, warning that the Trump administration is engaged in a coordinated campaign to silence critics.

Actors Natalie Portman, Sean Penn and Anne Hathaway are among the more than 550 signatories to the revived “Committee for the First Amendment,” along with director Spike Lee and “West Wing” creator Aaron Sorkin.

“This Committee was initially created during the McCarthy Era, a dark time when the federal government repressed and persecuted American citizens for their political beliefs,” said a statement published on Wednesday.

It added: “Those forces have returned. And it is our turn to stand together in defense of our constitutional rights.”

U.S. actor and activist Fonda is spearheading the effort.

Her father, actor Henry Fonda, was an early member of the first “Committee for the First Amendment” in the 1940s.

Back in the early days of the Cold War, Senator Joseph McCarthy led draconian measures in the United States to stifle supposedly “Un-American” dissent, with a particular focus on Hollywood.

The original committee, which also featured Golden Age icons Judy Garland, Humphrey Bogart and Frank Sinatra, called out government repression and harassment, sending delegations to Washington and delivering radio broadcasts to highlight the threat.

The relaunch of the committee “is not a warning shot. This is the beginning of a sustained fight,” said its website.

It comes in the wake of Disney’s decision to briefly pull late-night show Jimmy Kimmel off-air following pressure from the U.S. government and its broadcast regulator.

Kimmel — who had made remarks about the killer of right-wing activist Charlie Kirk — was restored to the airwaves last week following widespread outrage over alleged government censorship.

The comedian described the efforts to silence him as “un-American.”

But President Donald Trump has described domestic media coverage of him as unduly negative and therefore “illegal.”

The newly reconstituted committee’s statement pledges to “stand together — fiercely united — to defend free speech and expression from this assault,” and warned Hollywood companies against succumbing to government pressure in future.

“And to those who profit from our work while threatening the livelihoods of everyday working people, bowing to government censorship, and cowering to brute intimidation: we see you and history will not forget,” it said. “This will not be the last you hear from us.” (JapanToday)