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Oscars 2026: ‘One Battle After Another’ wins best picture while ‘Sinners’ makes history

Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance.

The ceremony Sunday, which also saw Michael B Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar.

But “One Battle After Another,” the favorite coming in, won six Oscars, including best director and best adapted screenplay for Anderson, the Oscars’ first trophy for best casting and best supporting actor for an absent Sean Penn.

“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world — we’re handing off to them,” said Anderson while accepting the screenplay trophy. “But also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”

Ryan Coogler’s Jim Crow-set, blues-soaked vampire tale “Sinners,” which came in with a record 16 nominations, also landed some big and even historic wins. Coogler, the widely loved filmmaker, won the first Oscar in an unblemished career that started out with Jordan in 2013’s “Fruitvale Station.”

Jessie Buckley, left, winner of the award for best actress in a leading role for “Hamnet,” and Michael B. Jordan, winner of the award for best actor in a leading role for “Sinners,” pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Arkapaw was also the first Black person to win for best cinematography. Only the fourth female cinematographer ever nominated, her win was a long-in-coming triumph for women behind the camera.

“I really want all the women in room to stand up,” said Arkapaw. “Because I don’t feel like I get here without you guys.”

And Jordan, one of Hollywood’s most liked leading men, won best actor in one of the night’s closest races. The Dolby Theatre rose to its feet in the most thunderous applause of the night.

“Yo, momma, what’s up?” said Jordan after staggering to the stage.

The Oscar night belonged to Warner Bros., the studio of “One Battle After Another” and “Sinners,” which scored a record-tying 11 wins. It was an oddly poignant note of triumph for the fabled studio, which weeks earlier agreed to a sale to Paramount Skydance, David Ellison’s rapidly assembled media monolith. The $111 billion deal, which awaits regulatory approval, has Hollywood bracing for more layoffs.

But “Sinners” and “One Battle After Another” — the much-acclaimed heavyweights of the season — were each Hollywood anomalies: big-budget originals born from a personal vision. In a year where anxiety over studio contraction and the rise of artificial intelligence often consumed the industry, both films gave Hollywood fresh hope.

Jessie Buckley won best actress for her performance as Agnes Shakespeare in “Hamnet,” making her the first Irish performer to ever win in the category. At an Oscars where no other acting award seemed a sure thing, Buckley cruised into Sunday’s Oscars at the Dolby Theatre as the overwhelming favorite.

“It’s Mother’s Day in the UK,” said Buckley on the stage. “I would like to dedicated this to the beautiful chaos of a mother’s heart.”

From the start, when host Conan O’Brien sprinted through the year’s nominees as Amy Madigan’s character in the horror thriller “Weapons” in a pre-taped bit, Sunday’s ceremony was quirky, a little clunky and preoccupied with the shifting place of movies in culture. There was, of all things, a tie for best live-action short film.

Host Conan O’Brien performs during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

As expected, the Netflix sensation “KPop Demon Hunters,” 2025’s most-watched film, won best animated feature, as well as best song for “Golden.” It was a big win for Netflix but a more qualified victory for the movie’s producer, Sony Pictures. Though it developed and produced the film, Sony sold “KPop Demon Hunters” to the streaming giant instead of giving it a theatrical release.

On Netflix, “KPop Demon Hunters” became a cultural phenomenon and the streaming platform’s biggest hit. It has more than 325 million views and counting.

“This is for Korea and Koreans everywhere,” said co-director Maggie Kang.

Another Netflix release, Guillermo del Toro’s “Frankenstein” picked up three awards for its lavish craft, for costume design, makeup and hairstyling and for production design.

Amy Madigan won best supporting actress for her performance in the horror thriller “Weapons,” a win that came 40 years after the 75-year-old actor was first nominated, in 1986, for “Twice in a Lifetime.” Letting out a giant laugh as she hit the stage, Madigan exclaimed, “This is great!”

Hosting for the second time, O’Brien began the Dolby Theatre show alluding to “chaotic and frightening times.” But he argued that the current geopolitical climate made the Oscars all the more resonate as a globally unifying force.

“We pay tribute tonight, not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today — optimism,” O’Brien said. “We’re going to celebrate. Not because we think all is well, but because we work, and hope, for better.”

Throughout the show, O’Brien hit a number of targets, like Timothée Chalamet — who again missed out on winning his first Oscar, this time for “Marty Supreme” — for his diss of opera and ballet. But the ceremony seldom wasn’t shadowed by politics, whether in references to changes under U.S. President Donald Trump or the recently launched war in Iran.

Joachim Trier, whose Norwegian family drama “Sentimental Value” won best international film, quoted James Baldwin in his acceptance speech: “All adults are responsible for all children,” he said. “Let’s not vote for politicians that don’t take this seriously into account.”

Presenter Jimmy Kimmel, whose late-night show last year was suspended after comments he made about Charlie Kirk’s killing, was among the most blunt.

“There are some countries that don’t support free speech,” said Kimmel. “I’m not at liberty to say which. Let’s just leave it at North Korea and CBS.”

Shortly after, “Mr. Nobody Against Putin,” a film about a Russian primary schoolteacher who documents his students’ indoctrination to support Russia’s war with Ukraine, won best documentary.

“’Mr. Nobody Against Putin’ is about how you lose your country,” co-director said. “And what we saw when working with this footage is that you lose it through countless, small, little acts of complicity.”

“We all face a moral choice,” he added, “but, luckily, a nobody is more powerful than you think.”

Elegy also marked the Oscars. Producers expanded the in memoriam segment following a year that featured the deaths of so many Hollywood legends, including Keaton, Robert Duvall and Redford. Barbra Streisand spoke about Redford, her “The Way We Were” co-star.

“Bob had real backbone,” said Streisand, who called Redford “an intellectual cowboy” before singing a few bars of “The Way We Were.”

Billy Crystal paid tribute to Rob and Michele Reiner, who were killed in their home in December. Crystal, a close friend of Rob Reiner’s who memorably starred in 1989’s “When Harry Met Sally…” and 1987’s “Princess Bride.” In his moving remarks, Crystal quoted the latter.

“All we can say is: Buddy, how much fun we had storming the castle,” said Crystal.

Yet again, the night’s final award again didn’t go to a streaming release; Apple’s “CODA” remains the only streaming film to achieve that distinction. “Sinners” and “One Battle After Another” were both theatrical releases shot on film.

Apple’s top contender this time, the Formula One race drama “F1,” a movie that it partnered with Warner Bros. to distribute theatrically, won for best sound. The lone blockbuster of the year to go home with a win was “Avatar: Fire and Ash,” for visual effects.

Some of O’Brien’s best digs came at the expense of the streamers. Netflix chief Ted Sarandos, he joked, was in a theater for the first time. The host also lamented the lack of nominees for Amazon MGM: “Why isn’t the website I order toilet paper from winning more Oscars?”

“I’m honored to be the last human host of the Academy Awards,” said O’Brien. “Next year it’s going to be a Waymo in a tux.” (JapanToday)

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‘Sinners’ breaks records at 2026 Oscar nominations

The horror film “Sinners” by Ryan Coogler broke Oscar history by earning a total 16 Oscar nominations on Thursday for the 98th Academy Awards, which will be presented on March 15. The previous record of 14 had been held by “All About Eve,” “Titantic” and “La La Land.”

The nominations were additionally notable as horror films tend to be excluded from Oscar honors.

Directed by Ryan Coogler, the film features actor Michael B. Jordan in a dual role of twin brothers who face supernatural forces in the southern US of the Jim Crow era. 

“Sinners” is considered a frontrunner in the best picture category. It will also compete for best director, best screenplay, best lead actor, and best original song, among others. 

A total of 10 films were nominated for the best picture Oscar on Thursday. In addition to “Sinners,” “One Battle After Another” and “Sentimental Value” are also seen as strong contenders. 

The latter, “Sentimental Value,” a family drama, recently swept the European Film Awards.

The other best picture nominees are “Bugonia,” “F1,” “Frankenstein,” “Hamnet,” “Marty Supreme,” “The Secret Agent,” and “Train Dreams.” The films were selected out of 201 contenders.

“One Battle After Another,” a father-daughter revolutionary saga, placed second for total nominations, with a total of 13 nods that included best director (Paul Thomas Anderson) and four best actor awards.

Alongside Coogler and Anderson, the other contenders for best director are Chloe Zhao (“Hamnet”), Josh Safdie (“Marty Supreme”) and Joachim Trier (“Sentimental Value”).

Timothee Chalamet, Leonardo DiCaprio, Ethan Hawke, Michael B. Jordan and Wagner Moura all received nominations for best actor in a leading role, while Jessie Buckley, Rose Byrne, Kate Hudson, Renate Reinsve and Emma Stone were nominated in the leading actress category.

Best casting, the first new category to be added to the Oscars in 25 years, highlights the work of selecting actors for a film. Five films received nominations, including “Sinners.”

The animated musical smash hit “KPop Demon Hunters” received nods for best animated film, where it is considered the favorite, and for best original song for the earworm “Golden.” The film was released on Netflix — and went on to break the streaming platform’s all-time viewing record — but qualified for the Oscars based on a limited sing-along release in theaters.

Meanwhile, on the international front, films from Brazil (“The Secret Agent”), France (“It was Just an Accident”), Norway (“Sentimental Value”), Spain (“Sirat”) and Tunisia (“The Voice of Hind Rajab”) made it to the final for the best international feature film award.

Germany’s entry to the competition, “Sound of Falling,” did not make it to the final.

The full list of nominations is available at the Oscar website (DW)

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‘‘Battle After Another’ leads Golden Globes nominations with nine’’

Paul Thomas Anderson’s politically charged “One Battle After Another” leads the nominations for the Golden Globes with nine, organizers announced Monday, as the race to the Oscars kicked into high gear.

Norwegian family dramedy “Sentimental Value” was second with eight. It is followed by period horror movie “Sinners” with seven and Shakespeare family drama “Hamnet” with six.

“Wicked: For Good” ended up with five nominations – a disappointing showing for the smash hit musical, which failed to secure a nod for best musical/comedy.

The Globes, set for January 11, are widely seen as a bellwether for the Academy Awards.

The Golden Globes offer separate awards for dramas and comedies/musicals – widening the field of stars who could walk the red carpet, and fueling the suspense.

“One Battle After Another,” which centers on an aging revolutionary (Leonardo DiCaprio) and his teenage daughter (Chase Infiniti), leads the contenders in the comedy/musical categories.

The film is a rollicking ride featuring leftist radical violence, immigration raids and white supremacists.

It won a pile of nominations, including best comedy/musical picture, best director and five acting nods: DiCaprio, Infiniti, Sean Penn, Benicio Del Toro and Teyana Taylor.

“Sentimental Value,” a moving story of a fractured family, won nominations for Swedish legend Stellan Skarsgard and co-star Renate Reinsve.

It is one of several foreign language films to gain traction in the main categories, along with Brazil’s “The Secret Agent” and South Korea’s “No Other Choice.”

On the drama side, past Oscar winners Jennifer Lawrence (“Die, My Love”) and Julia Roberts (“After the Hunt”) will do battle with Jessie Buckley (“Hamnet”), Reinsve, Tessa Thompson (“Hedda”) and Eva Victor (“Sorry, Baby”).

Each main category will have six nominees, not five as in past years.

On the drama side, beyond the leader “Sentimental Value,” the top contenders all delve into the past.

“Sinners,” from “Black Panther” director Ryan Coogler, stars Michael B. Jordan as twins in the criminal underworld who encounter a sinister force as they return home to racially segregated Mississippi in the 1930s.

The film was a runaway box office success, and both Coogler and Jordan secured nominations. It led the nods for the Critics Choice Awards on Friday with 17.

“It has so much going for it – it’s a big moneymaker, it was a culturally significant hit,” explained Davis.

“Hamnet,” from Oscar-winning director Chloe Zhao, stars Paul Mescal as William Shakespeare, who tries to forge a career as a playwright while his wife Agnes – played by Buckley – contends with the perils of plague and childbirth in Elizabethan England.

Both stars earned nominations, along with Zhao.

Guillermo Del Toro’s adaptation of “Frankenstein” earned five nominations including one for Jacob Elordi as the iconic monster.

Oscar nominations are due on January 22, so the picks for the Globes will begin to map the road to the Academy Awards.

The Globes also honor the best in television, with HBO’s black comedy anthology “The White Lotus,” sci-fi office thriller “Severance” and searing teen murder saga “Adolescence” leading the contenders.

Last year’s Globes gala hosted by comedian Nikki Glaser was a hit with audiences, with more than 10 million tuning in.

Glaser will return as host of the January 11 gala in Beverly Hills. (Vanguard)