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Pope Leo welcomes Hollywood stars to the Vatican

Pope Leo has held an audience with Hollywood stars, urging actors and directors including Cate Blanchett, Viggo Mortensen and Monica Bellucci to continue their work as “pilgrims of the imagination”, helping to “bring hope”.

The celebrity meeting was a sprinkling of star dust for a still relatively new pope and a way for the Catholic Church to engage more with the world beyond.

It was also a strong show of support from Leo XIV for the global film industry, as he spoke out against the “troubling decline” in cinema-going.

Hailed by director Spike Lee as a “great day”, the gathering was the first of its kind in the Vatican.

Beneath the magnificent frescoes of the Clementine Hall, Pope Leo spoke in Italian to praise the power of cinema to entertain and to educate – and for its “capacity to amaze”.

But he urged filmmakers not to shy away from what he called “the world’s wounds”.

“Violence, poverty, exile, loneliness, addiction and forgotten wars are issues that need to be acknowledged and narrated,” the Pope said. “Good cinema does not exploit pain; it recognizes and explores it. This is what all the great directors have done.”

Six months since a conclave of cardinals elected the first North American to the Papacy, some Catholics feel that Leo has been slow to stamp his own mark on the role.

His predecessor, Francis, was a charismatic Argentinian known for his off-the-cuff comments and dramatic gestures. Leo’s style is far quieter, so this star-studded engagement is a new look.

It’s not clear how the cast list was drawn up, although none of the directors in the hall – who came from all over the world – made it onto the Pope’s own top film list.

This week, the Vatican revealed that his favourite four watches of all time included the 1960s nun-themed classic The Sound of Music, It’s a Wonderful Life and Italian Roberto Benigni’s multi award-winning Life is Beautiful.

Among those who did join today’s A-list audience were Mortensen, Chris Pine and filmmaker Gus Van Sant – of Milk and Good Will Hunting fame. The large Italian contingent included Gianni Amelio and Cinema Paradiso creator, Giuseppe Tornatore.

At a time of immense pressure on film, not long after a major Hollywood strike and with funding strains here in Italy, the Pope spoke in defence of the industry.

He was applauded loudly when he talked of the “quiet dedication” of all those behind the scenes with vital roles.

He also warned against the closure of cinemas which he characterised as the “beating heart of communities”.

“More than a few people are saying that the art of cinema and the cinematic experience are in danger. I urge institutions not to give up, but to cooperate in affirming the social and cultural value of this activity,” the Pope said.

After a fifteen-minute speech and a blessing he then received each audience member in turn, led by Blanchett.

“He really urged us to go back into our day jobs and inspire people,” the Australian-born star told reporters.

One of many who came bearing gifts, the actress – who works with the UN refugee agency, UNHCR – placed a woven bracelet in the Pope’s hand. “It was a bracelet I wear in solidarity with people who are displaced,” she explained later.

Lee handed the Chicago-born Pope a New York Knicks shirt printed with the number 14 and the words Pope Leo. (BBC)

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Oscar-winning actress Diane Keaton dead at 79 –  Report

Actress Diane Keaton, known for her Oscar-winning performance in 1977’s “Annie Hall” and her role in “The Godfather” films, has died at age 79, People magazine reported Saturday.

Details were not immediately available, and Keaton’s loved ones have asked for privacy, a family spokesperson told People, which confirmed that the actress died in California.

Keaton, a style icon, was a frequent collaborator of director Woody Allen , portraying the titular character in “Annie Hall,” the charming girlfriend of Allen’s comic Alvy Singer.

The film also garnered Oscars for best picture, best director and best original screenplay, cementing Keaton’s place as one of the industry’s top actresses and an offbeat style icon as well.

The actress made her mark co-starring in eight Allen movies, from “Play in Again Sam” (1972) to “Manhattan” (1979) and “Manhattan Murder Mystery” (1993).

As the Hollywood sexual harassment scandals detonated in late 2017, cascading from producer Harvey Weinstein to heavyweight actors like Kevin Spacey, old accusations of child sex abuse against Allen by his adoptive daughter Dylan, resurfaced.

“Woody Allen is my friend and I continue to believe him,” Keaton tweeted in January 2018.

A BAFTA and Golden Globe winner, Keaton scored Oscar nominations three other times for best actress, for “Reds,” “Marvin’s Room” and “Something’s Gotta Give.”

In “The Godfather” films, she played Kay Adams, the girlfriend and eventual wife of Al Pacino’s Michael Corleone.

Late in her career, Keaton starred in two movies about ageing women: “Book Club” (2018), with its message that love has no age, and “Poms” (2019).

“Poms” is the story of Martha, a terminally ill woman who moves to a retirement community to die, but winds up forming a cheerleading squad made up of female senior citizens.

As for ageing, Keaton said in a 2019 interview with AFP that life actually got easier.

“I think so, because what have you got to lose? It’s like it’s the truth. That’s what it is. You face it, we talk about it,” she said.

Born Diane Hall in Los Angeles on January 5, 1946, Keaton was romantically involved with Allen, Pacino and Warren Beatty, but never married.

“Most people in the movies get married at some point, and then they divorce. But I’ve never even got married. I am (a) failure,” she joked in the 2019 interview.

Did she regret it? “I don’t think about it a lot, but I’m aware of the fact that I’m unusual in that regard, and maybe I did miss out on something — but then, nobody can have everything, right?”

She is survived by her two children, Dexter and Duke. (Punch)

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Jane Fonda relaunches Cold War-era Hollywood free speech movement

Jane Fonda and hundreds of Hollywood celebrities have relaunched a Cold War-era free speech protest movement, warning that the Trump administration is engaged in a coordinated campaign to silence critics.

Actors Natalie Portman, Sean Penn and Anne Hathaway are among the more than 550 signatories to the revived “Committee for the First Amendment,” along with director Spike Lee and “West Wing” creator Aaron Sorkin.

“This Committee was initially created during the McCarthy Era, a dark time when the federal government repressed and persecuted American citizens for their political beliefs,” said a statement published on Wednesday.

It added: “Those forces have returned. And it is our turn to stand together in defense of our constitutional rights.”

U.S. actor and activist Fonda is spearheading the effort.

Her father, actor Henry Fonda, was an early member of the first “Committee for the First Amendment” in the 1940s.

Back in the early days of the Cold War, Senator Joseph McCarthy led draconian measures in the United States to stifle supposedly “Un-American” dissent, with a particular focus on Hollywood.

The original committee, which also featured Golden Age icons Judy Garland, Humphrey Bogart and Frank Sinatra, called out government repression and harassment, sending delegations to Washington and delivering radio broadcasts to highlight the threat.

The relaunch of the committee “is not a warning shot. This is the beginning of a sustained fight,” said its website.

It comes in the wake of Disney’s decision to briefly pull late-night show Jimmy Kimmel off-air following pressure from the U.S. government and its broadcast regulator.

Kimmel — who had made remarks about the killer of right-wing activist Charlie Kirk — was restored to the airwaves last week following widespread outrage over alleged government censorship.

The comedian described the efforts to silence him as “un-American.”

But President Donald Trump has described domestic media coverage of him as unduly negative and therefore “illegal.”

The newly reconstituted committee’s statement pledges to “stand together — fiercely united — to defend free speech and expression from this assault,” and warned Hollywood companies against succumbing to government pressure in future.

“And to those who profit from our work while threatening the livelihoods of everyday working people, bowing to government censorship, and cowering to brute intimidation: we see you and history will not forget,” it said. “This will not be the last you hear from us.” (JapanToday)

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‘Demon Slayer: Infinity Castle’ breaks another record, tops domestic box office for second weekend

Hollywood has long viewed anime as a modest but steady genre at the domestic box office. But the unexpected success of “Demon Slayer: Infinity Castle” has forced the industry to rethink the potential of Japanese animation to draw big audiences to theaters.

“Infinity Castle,” distributed by Sony-owned Crunchyroll, fell 76% from its opening weekend, but still finished No. 1 at the box office, raking in $17.3 million Friday through Sunday and bringing its total earnings to $104.73 million after nine days in US theaters.

An anime film vastly outperforming expectations has been a long time coming. There have been more than 100 anime movies released since 2000, yet none have reached $50 million at the domestic box office. A poll released in January 2024 from Vox Media and Polygon showed that 42% of Gen Z say they watch anime weekly.

In the case of “Infinity Castle,” it has helped that the latest installment from the popular “Demon Slayer” franchise has drawn acclaim from critics, receiving a 98% approval rating on Rotten Tomatoes and a 69 rating on Metacritic.

“I think studio heads and movie theaters should be very happy that, if this becomes a trend rather than an anomaly, it will add another category of film to the quiver of potential content to put on the big screen,” said Paul Dergarabedian, head of marketplace trends at Comscore.

The sustained attention “Infinity Castle” has received from Gen Z and Gen Alpha has been a key driver for not just the movie but for the anime genre, and provided Sony and Crunchyroll with the surprise hit of September.

Dergarabedian said it’s “somewhat unprecedented” for an international anime movie to perform so well domestically.

Shawn Robbins, director of analytics at Fandango and founder of analytics firm Box Office Theory, said the movie’s buzz coming from younger moviegoers “can be a double-edged sword” because the interest can die off quickly or it can gain momentum by adding new audiences, reminiscent of the expectation-shattering run that Warner Bros. Pictures’ “A Minecraft Movie” had this year when it pulled in $162.75 million in its opening weekend, and finished with $424 million.

Warner Bros. Discovery is the parent company of CNN.

The record-breaking opening weekend of “Infinity Castle” may have broadened the realm of anime to US moviegoers who otherwise wouldn’t have considered watching a “Demon Slayer” movie, said Robbins.

“That can really inspire people to go and check out something that they might not have heard of otherwise,” Robbins said, adding that the movie brought out “virtually all corners of the anime world,” including viewers with a passing interest.

On Friday, “Infinity Castle” became the highest-earning anime movie domestically, surpassing another record previously held by Warner Bros. 1999 hit, “Pokémon: The First Movie — Mewtwo Strikes Back” ($85 million). (CNN)

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Claudia Cardinale, single mother who survived rape to be screen queen, dies at 87

Sixties screen siren Claudia Cardinale, who died on Tuesday aged 87, entranced audiences across the globe with the sultry gaze that made her the muse of Luchino Visconti and Federico Fellini.

With her fierce beauty and husky voice, Cardinale not only captivated Italy’s greatest filmmakers, she played opposite most of the leading men of the time, from Burt Lancaster to Alain Delon and Henry Fonda.

She died aged 87 at Nemours near Paris, in the presence of her children, her agent told AFP.

“She leaves us the legacy of a free and inspired woman both as a woman and as an artiste,” Laurent Savry said in a message.

What would turn into a fairytale career began as a nightmare.

She was raped in her teens by a film producer and became pregnant. With few options open at the time, she made the tough decision to bring up her son Patrick and try “to earn a living and her independence” from cinema, even though she never wanted to be in films.

“I did it for him, for Patrick, the child I wanted to keep despite the circumstances and the enormous scandal,” she told French daily Le Monde in 2017. “I was very young, shy, prudish, almost wild. And without the slightest wish to expose myself on the film sets.”

Born in La Goulette, near Tunis, on 15 April 1938, to Sicilian parents, Cardinale’s life had already been turned upside down at at the age of 16 when she was picked out of a crowd to win a beauty contest.

Crowned “The most beautiful Italian woman in Tunis”, the prize was a trip to the Venice film festival where she immediately turned heads and reluctantly, turned her back on her plans to become a teacher.

“All the directors and producers wanted me to make films, and I said, ‘No, I don’t want to!’ she said.

It was her father who eventually convinced her to “give this cinema thing a go”.

As she started to land small film roles, she was raped. A mentor convinced her to secretly give birth in London and entrust the child to her family.

Patrick would officially be her younger brother until she revealed the truth seven years later.

“I was forced to accept this lie to avoid a scandal and protect my career,” she said.

From then there was no looking back, as she became swept up into the golden age of Italian cinema, even though she knew “not a word” of the language, speaking only French, Arabic and her parents’ Sicilian dialect.

At 20 “I became the heroine of a fairytale, the symbol of a country whose language I barely spoke,” she wrote in her 2005 autobiography “My Stars.”

Her voice had to be dubbed in Italian until she starred in Fellini’s Oscar-winning “8 1/2” in 1963, when the star director insisted she use her own voice.

That year, aged 25, Cardinale filmed both Visconti’s epic period drama “The Leopard” and Fellini’s surrealist hit “8 1/2” at the same time.

“Visconti wanted me brunette with long hair. Fellini wanted me blonde,” she said.

Critics called her the “embodiment of postwar European glamour”, and she was was packaged as such, both on screen and off.

“It’s almost like she had sexiness thrust upon her,” Britain’s The Guardian wrote in 2013.

Embraced by Hollywood, where she refused to settle, Cardinale had a huge hit with Blake Edwards’ “The Pink Panther” with Peter Sellers, then Henry Hathaway’s “Circus World” with Rita Hayworth and John Wayne.

“The best compliment I ever got was from actor David Niven while filming ‘The Pink Panther,'” Cardinale recalled.

He said: “Claudia, along with spaghetti, you’re Italy’s greatest invention.”

Refusing to have cosmetic surgery, she went on to perform into her 80s, including in “La Strana Coppia”, a female version of Neil Simon’s “The Odd Couple” at the Teatro Augusteo in Naples.

Although desired by many, she said her “only love” was the blue-eye Neapolitan director Pasquale Squitieri, father to her daughter Claudia with whom she worked on a series of films over four decades until his death in 2017.

Her decades-long career has seen her star in 175 films and both the Venice and Berlin festivals awarded her honorary prizes.

In 2017 she featured on the official poster of the Cannes film festival amid an outcry that her thighs had been airbrushed to make the seem thinner.

A staunch defender of women’s rights, she was named UNESCO Goodwill Ambassador in 2000 in recognition of her commitment to the cause of women and girls.

“I’ve had a of luck. This job has given me a multitude of lives, and the possibility of putting my fame at the service of many causes,” she said. (JapanToday)

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Hollywood comes to Kimmel’s defense after ABC pulls late-night show

Hollywood blasted the White House for targeting free speech after ABC pulled Jimmy Kimmel’s talk on Wednesday under regulatory threats from Donald Trump’s administration, rallying behind the late-night comic after his comments about the assassination of conservative activist Charlie Kirk.

The Walt Disney-owned broadcaster said it was yanking “Jimmy Kimmel Live” indefinitely after at least one affiliate said it would replace the show on its airwaves and the nation’s top communications regulator threatened investigations due to Kimmel’s statements.

The late-night host, a frequent Trump critic, had suggested in his monologue on Monday that Kirk’s allies were using his death to “score political points”.

Unions representing writers and actors said the move amounted to an attack on constitutionally protected free-speech rights, saying ABC should not have caved in the face of U.S. government pressure.

The suspension of Kimmel’s show marked the latest action against media figures, academic workers, teachers and corporate employees over their remarks about Kirk following the 31-year-old’s assassination a week ago in Utah.

“What we have signed on to – painful as it may be at times – is the freeing agreement to disagree,” the Writers Guild of America West and Writers Guild of America East said in a joint statement. “Shame on those in government who forget this founding truth. As for our employers, our words have made you rich. Silencing us impoverishes the whole world.”

A 22-year-old suspect has been charged with Kirk’s murder, and his precise motive remains unclear. Kirk’s death spurred an outpouring of grief among fans while also galvanizing some prominent right-wing supporters to target people who were critical of Kirk’s views or joked about his killing.

SAG-AFTRA, the union representing actors, condemned the scrapping of the show, saying “the decision to suspend airing Jimmy Kimmel Live! is the type of suppression and retaliation that endangers everyone’s freedoms,” while actor Ben Stiller wrote “this isn’t right” on social media site X.

President Donald Trump has repeatedly threatened to pull licenses from television stations and has pressured broadcasters to stop airing content he finds objectionable. He has also trained his ire on print media with the filing of a $15 billion defamation lawsuit against the New York Times.

Earlier on Wednesday, Federal Communications Commission Chair Brendan Carr had urged local broadcasters to stop airing the show. Kimmel, who has frequently targeted Trump on his late-night comedy show, did not respond to a request for comment.

ABC pulled the show after Nexstar Media Group, which owns 32 ABC affiliates, said it would stop airing the show following Kimmel’s September 10 comments, when he suggested that “the MAGA gang” was “doing everything they can to score political points” off of Kirk’s assassination. He also criticized Trump’s mourning, comparing it to “how a four-year-old mourns a goldfish.”

Carr, in Wednesday remarks to conservative podcaster Benny Johnson, said “we can do this the easy way or the hard way,” suggesting the regulator could open investigations and broadcasters could face fines. He praised Nexstar, saying that “it is important for broadcasters to push back on Disney programming that they determine falls short of community values.”

The American Federation of Musicians said that “Trump’s FCC identified speech it did not like and threatened ABC with extreme reprisals. This is state censorship.” (JapanToday)

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US FCC clears $8bn Skydance-Paramount merger

An $8bn (£5.9bn) merger between Paramount Global and Skydance Media has been approved by the US Federal Communications Commission (FCC).

The merger between the independent film studio and one of Hollywood’s oldest and most storied companies was first announced in 2024.

The approval came just weeks after Paramount Global agreed to pay $16m (£13.5m) to settle a legal dispute with US President Donald Trump over an interview it broadcast on subsidiary CBS with former Vice-President Kamala Harris.

The settlement did not include a statement of apology or regret.

FCC head Brendan Carr, who was appointed by the president, announced the merger’s approval on Thursday, saying he welcomed Skydance’s ideas to make “significant changes” at CBS.

The approval means the merger could be finalised soon but Paramount did not provide an expected completion date when asked by the BBC. Skydance did not immediately reply to a request for comment.

The FCC agreed to transfer broadcast licences for 28 owned-and-operated CBS television stations to the new owner.

“Americans no longer trust the legacy national news media to report fully, accurately, and fairly,” Mr Carr said. “It is time for a change.”

Mr Carr said Skydance had made promises to the agency, including a “commitment to unbiased journalism” where the merged company would install a ombudsman to evaluate complaints of bias.

Skydance also promised to end diversity, equity, and inclusion efforts, something the Trump administration has targeted.

The FCC voted 2-1 to approve the deal, with one commissioner, Anna Gomez, a Democrat, dissenting.

“After months of cowardly capitulation to this administration, Paramount finally got what it wanted. Unfortunately, it is the American public who will ultimately pay the price for its actions,” she wrote.

Paramount Global traces its origins back more than a century to the founding of Paramount Pictures Corporation in 1914. The studio has made many hit films, including the Godfather, Star Trek, and Mission: Impossible series.

Paramount owns streaming service Paramount+, as well as Paramount Pictures, CBS, Nickelodeon, BET, MTV, Comedy Central and other media brands.

But the entertainment giant has struggled over the past decade.

Skydance is owned by David Ellison, the son of Larry Ellison, who founded US technology giant Oracle.

The FCC’s approval was necessary for the deal to move forward.

The deal, which includes CBS, Paramount Pictures and Comedy Central, was approved after a series of moves by Paramount, including settling a lawsuit from Trump.

According to both the Wall Street Journal and New York Times, the settlement over the 60 Minutes interview was agreed – with the help of mediator – so as to not affect the planned merger, which the FCC was reviewing and therefore Trump technically had the power to halt.

Trump had alleged the network had deceptively edited an interview that aired on its 60 Minutes news programme with his presidential election rival Kamala Harris, to “tip the scales in favour of the Democratic party”.

Paramount said it would pay to settle the suit, but with the money allocated to Trump’s future presidential library, not paid to him “directly or indirectly”.

It also comes just days after CBS, owned by Paramount, announced it would end The Late Show with Stephen Colbert, who has been critical of Trump.

The network said the move “is purely a financial decision against a challenging backdrop in late night [television]” and “is not related in any way to the show’s performance, content or other matters”. (BBC)