Netflix mega-hit KPop Demon Hunters has won a Golden Globe for best animated feature, while its breakout anthem Golden was named best original song.
The animated film, which centres on a girl band Huntr/x that uses music to save the world from evil forces, has scored many chart-topping achievements since it premiered in June.
“Through this film we really wanted to depict female characters the way that we know women, which is really strong and bold,” director Maggie Kang said.
Fellow director Chris Appelhans, who accepted the best animated feature award with Kang, called the film a “love letter to music”. “To the power it has to connect us, to make us see some kind of shared humanity,” he said.
Fans have spoken of how the film’s empowering themes of self-acceptance, community, and fighting against inner “demons” resonated with them.
Singer-songwriter Ejae, who co-wrote and performed Golden, accepted the award for best original song along with Mark Sonnenblick and Lee Hee-joon.
In a tearful speech, she recalled her “tireless” pursuit early in her career to become a K-pop idol had ended with rejection and disappointment.
She dedicated the award to “people who have [had] their doors closed at them”. “It’s never too late to shine like you were born to be”, she said, quoting the song’s lyrics.
“I’m so part of a song that is helping other girls, other boys and everyone all get through their hardship to accept themselves,” she said.
KPop Demon Hunters quickly became an animated sensation since its release in June.
It became Netflix’s most-watched film of all time within two months, with Golden clinching the number one spot on the Billboard Hot 100 just weeks after it dropped. Another track, Your Idol, made it to number eight on the Hot 100.
Sunday’s Golden Globe accolades come after the film was named best animated feature and Golden named best song at the Critics Choice Award early this month.
Ejae earlier told the BBC that the film’s success “feels like a dream”.
“It’s like I’m surfing for the first time and a big wave just came through,” she told BBC Newsbeat. “I’m trying my best to get through it.
Korean-American actress Arden Cho, who voiced the main character Rumi, said her life mirrored Rumi’s journey.
“I can honestly say that at different points in my life, I hated a lot of myself and I wanted to be someone else,” she told BBC Global Women.
“I hated that I looked Asian, that I didn’t have blue eyes and blonde hair, because that’s what was beautiful at the time.”
Cho said the film was a tribute to people in underrepresented communities – it’s a film that brings “hope and joy and love to all these different communities”.
The film’s success at the Golden Globes – often seen as a prelude to the Academy Awards – will likely stoke Oscar buzz.
KPop Demon Hunters is one of 35 film features eligible for the animated feature category at this year’s Oscars. However the films shortlisted for this category has not yet been announced. (BBC)
The Oscars will be shown only on YouTube from 2029, the Academy said Wednesday, in a radical gambit for a movie industry that remains wary of streaming platforms even as viewing habits shift online.
The new five-year deal means Hollywood’s most prestigious awards ceremony will be viewable exclusively online for the first time, ending a decades-long relationship with US broadcaster ABC.
The decision will allow the Academy Awards to reach “the largest worldwide audience possible — which will be beneficial for our Academy members and the film community,” said Academy of Motion Picture Arts and Sciences CEO Bill Kramer and President Lynette Howell Taylor in a statement.
The annual Oscars, which celebrate the year’s top achievements in film and draw the world’s biggest A-list stars, are regularly watched by around 20 million Americans, and millions more globally.
ABC’s latest contract to broadcast the show had been due to end in 2028, with the 100th Academy Awards. The Disney-owned channel will continue to air the Oscars up until then.
But the new deal with Google-owned YouTube represents a bold new direction for the show at a time when audiences increasingly watch all types of content online.
Streamers owned by Silicon Valley firms have lured top talent away from traditional Hollywood studios with massive contracts — despite filmmakers’ concerns that they rarely show movies on the big screen in theaters for extended runs.
Streamers have also gradually gained wider acceptance at the Academy Awards, where Apple won best picture for “CODA” in 2022.
The SAG Awards, another important Hollywood awards gala which recently rebranded as The Actors Awards, have already moved to Netflix.
YouTube accounts for the biggest share of television viewing time in the United States of any streaming platform, dwarfing even Netflix.
“This collaboration will leverage YouTube’s vast reach and infuse the Oscars and other Academy programming with innovative opportunities for engagement while honoring our legacy,” said the Academy statement.
Financial terms of the new Oscars deal were not disclosed.
Industry website Deadline said “the amount that YouTube was willing to pay didn’t make sense for Disney,” citing anonymous insiders.
An ABC Entertainment spokesperson told AFP: “ABC has been the proud home to The Oscars for more than half a century.
“We look forward to the next three telecasts, including the show’s centennial celebration in 2028, and wish the Academy of Motion Picture Arts and Sciences continued success.”
Like Hollywood more broadly, the Oscars have endured a challenging time in recent years, as younger generations’ viewing habits shift.
During the Covid-19 pandemic, Oscars ratings sank as low as 10.4 million.
The most recent Oscars were viewed by 19.69 million people — the highest in five years — as the ceremony was shown live simultaneously on Disney’s streamer Hulu along with ABC.
But the Hulu stream suffered technical glitches that left some viewers unable to see the final prizes.
The Academy Awards telecast regularly topped 40 million just over a decade ago. (Vanguard)
Robert Redford, the dashing actor and Oscar-winning director who eschewed his status as a Hollywood leading man to champion causes close to his heart, has died, according to his publicist Cindi Berger, Chairman and CEO of Rogers and Cowan PMK.
He was 89.
“Robert Redford passed away on September 16, 2025, at his home at Sundance in the mountains of Utah–the place he loved, surrounded by those he loved. He will be missed greatly,” Berger said in a statement to CNN. “The family requests privacy.”
Known for his starring roles in “Butch Cassidy and the Sundance Kid” and “All the President’s Men,” Redford also directed award-winning films such as “Ordinary People” and “A River Runs Through It.”
His passion for the art of filmmaking led to his creation of the Sundance Institute, a nonprofit that supports independent film and theater and is known for its annual Sundance Film Festival.
Redford was also a dedicated environmentalist, moving to Utah in 1961 and leading efforts to preserve the natural landscape of the state and the American West.
Redford acted well into his later years, reuniting with Jane Fonda in the 2017 Netflix film “Our Souls at Night.” The following year, he starred in “The Old Man & the Gun” at age 82, a film he said would be his last – although he said he would not consider retiring.
“To me, retirement means stopping something or quitting something,” he told CBS Sunday Morning in 2018. “There’s this life to lead, why not live it as much as you can as long as you can?”
In October 2020, Redford voiced his concern about the lack of focus on climate change in the midst of devastating wildfires in the western United States, in an opinion piece he wrote for CNN.
That same month, Redford’s 58-year-old son died from cancer.
David James Redford – the third of four children born to Robert Redford and former wife Lola Van Wagenen – had followed in his father’s footsteps as an activist, filmmaker and philanthropist.
Born in Santa Monica, California, near Los Angeles, in 1936, Redford’s father worked long hours as a milkman and an accountant, later moving the family to a larger home in nearby Van Nuys.
“I didn’t see him much,” Redford recalled of his father, on “Inside the Actor’s Studio” in 2005.
Because his family couldn’t afford a babysitter, Redford spent hours in the children’s section at the local library where he became fascinated with books on Greek and Roman mythology.
Yet Redford was hardly a model student.
“I had no patience … I was not inspired,” Redford recalled. “It was more interesting to me to mess around and to adventure beyond the parameters that I was growing up in.”
Drawn to arts and sports – and a life outside of sprawling Los Angeles – Redford earned a scholarship to play baseball at the University of Colorado at Boulder in 1955. That same year, his mother died.
“She was very young, she wasn’t even 40,” he said.
Redford said his mother was “always very supportive (of my career)” — more so than his dad.
“My father came of age during the Depression and he was afraid to take chances … so he wanted the straight and narrow path for me, which I was just not meant to be on,” he said. “My mother, no matter what I did, she was always forgiving and supportive and felt that I could do anything.
“When I left and went to Colorado and she died, I realized I never had a chance to thank her.”
Redford soon turned to drinking, lost his scholarship and eventually was asked to leave the university. He worked as a “roustabout” for the Standard Oil Company and saved his earnings to continue his art studies in Europe.
“(I) lived hand to mouth, but that was fine,” Redford said of his time in Europe. “I wanted that adventure. I wanted the experience of seeing what other cultures were like.”
Shy and closed off, Redford said he didn’t fit in with the other drama students who were eager to show off their acting skills. After a performance in front of his class with a fellow student that ended in frustration and disaster, Redford said his teacher pulled him aside and encouraged him to stick with acting.
In 1959, Redford graduated from the academy and got his first acting role on an episode of “Perry Mason.” His acting career was “uphill from there,” he said.
His big acting break came in 1963, when he starred in Neil Simon’s “Barefoot in the Park” on Broadway – a role he would later reprise on the big screen with Jane Fonda.
Around this time, Redford married Lola Van Wagenen and started a family. His first child, Scott, died from sudden infant death syndrome just a few months after his birth in 1959. Shauna was born in 1960, David in 1962, and Amy in 1970.
As his acting career was taking off, Redford and his family moved to Utah in 1961 where he bought two acres of land for just $500 and built a cabin himself.
“I discovered how important nature was in my life, and I wanted to be where nature was extreme and where I thought it could maybe be everlasting,” he told CNN.
Redford made a name for himself as a leading man in 1969 when he starred opposite Paul Newman – already a major star – in “Butch Cassidy and the Sundance Kid.” The Western about a pair of outlaws won four Academy Awards.
Redford said he “will forever be indebted” to Newman, whom he credited with helping him get the role. The two actors had great on-screen chemistry, became lifelong friends and reunited in “The Sting” in 1973, which won the Academy Award for best picture.
Redford starred in a string of hit movies throughout the 1970s: “Jeremiah Johnson”; “The Way We Were,” co-starring Barbra Streisand; “The Great Gatsby”; and with Dustin Hoffman in 1976’s “All The President’s Men,” about the Watergate scandal.
Teaming up with director Sydney Pollack on “Jeremiah Johnson,” Redford fought with the studio to get the film made the way he wanted – a precursor to his career as a director and his support for independent filmmaking.
“It was a battle from the get-go,” Redford told “Inside The Actor’s Studio.” “They (the studio) said … ‘You’ve got $4 million, put it in the bank in Salt Lake City, you can shoot wherever you want, but that’s it. If it goes over, it comes out of your hide.’”
With spare dialogue and stunning scenery, the film tells the story of a Mexican War veteran who has left the battlefield to survive as a trapper in the American West.
It was released more than three years after it was made because, according to Redford, the studio’s sales chief thought the film was “so unusual” that it wouldn’t find an audience.
“Jeremiah Johnson” ended up grossing nearly $45 million. It wasn’t the only time Redford’s passion for the art of filmmaking put him at odds with the studios that funded his work.
“The sad thing you have to work against, as a filmmaker, is held opinions about what works or doesn’t work,” Redford said. “Sports movies don’t work, political movies don’t work, movies about the press don’t work – so I’ve done three of them.”
Redford made his directing debut in 1980 with “Ordinary People,” a drama about an unhappy suburban family which earned the Academy Award for Best Picture and another one for him as best director. He continued starring in hit films such as “The Natural” in 1984, which tapped into his passion for baseball, and 1993’s “An Indecent Proposal,” which paired him with a much younger Demi Moore.
“I didn’t see myself the way others saw me and I was feeling kind of trapped because I couldn’t go outside the box of … good-looking leading man,” he said. “It was very flattering, but it was feeling restrictive … so it took many years to break loose of that.”
Redford and Van Wagenen divorced in 1985. He married artist Sibylle Szaggars Redford in 2009.
Redford’s passion for the environment and independent filmmaking merged when he founded the Sundance Institute in 1981. The nonprofit supports “risk-taking and new voices in American film” as well as theater, and Redford’s Sundance resort in a canyon above Provo, Utah, hosts annual workshops for playwrights and screenwriters.
Each year Redford’s institute holds the Sundance Film Festival in Utah – the largest annual showcase in the United States for independent film. Many young filmmakers got their big breaks at Sundance, including Steven Soderbergh with “Sex, Lies, and Videotape” in 1989, Quentin Tarantino with “Reservoir Dogs” in 1992 and Ryan Coogler with 2013’s “Fruitvale Station.”
Redford’s lifelong impact on the film industry was recognized in 2002 with an honorary Oscar.
In his later years, Redford never lost his passion for storytelling through film and remained an outspoken champion of environmental causes. He frequently demurred when asked about retiring.
“I want to make the most of what I’ve been given,” Redford told CNN’s Christiane Amanpour in 2015. “You keep pushing yourself forward, you try new things and that’s invigorating.”
Redford is survived by his wife, daughters Shauna Redford Schlosser and Amy Redford, along with seven grandchildren. (CNN)
The Academy Awards have taken place in Los Angeles, with Anora scooping the most honours, while Conclave, The Brutalist, Wicked and Emilia Pérez also took prizes.
Here is the full list of winners.
Best picture
WINNER: Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked
Best actress
WINNER: Mikey Madison – Anora
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Demi Moore – The Substance
Fernanda Torres – I’m Still Here
Best actor
WINNER: Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – The Apprentice
Best supporting actress
WINNER: Zoe Saldaña – Emilia Pérez
Monica Barbaro – A Complete Unknown
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Isabella Rossellini – Conclave
Best supporting actor
WINNER: Kieran Culkin – A Real Pain
Yura Borisov – Anora
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice
Best director
WINNER: Sean Baker – Anora
Jacques Audiard – Emilia Pérez
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
James Mangold – A Complete Unknown
Best international feature
WINNER: I’m Still Here – Brazil
The Girl with the Needle – Denmark
Emilia Pérez – France
The Seed of the Sacred Fig – Germany
Flow – Latvia
Best animated feature
WINNER: Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best original screenplay
WINNER: Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
A Real Pain – Jesse Eisenberg
September 5 – Moritz Binder, Tim Fehlbaum, Alex David