Category: Entertainment

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Disney accuses Google of using AI to engage in copyright infringement on ‘massive scale’

As Disney has gone into business with OpenAI, the Mouse House is accusing Google of copyright infringement on a “massive scale” using AI models and services to “commercially exploit and distribute” infringing images and videos.

On Wednesday evening, attorneys for Disney sent a cease-and-desist letter to Google, demanding that Google stop the alleged infringement in its AI systems.

“Google is infringing Disney’s copyrights on a massive scale, by copying a large corpus of Disney’s copyrighted works without authorization to train and develop generative artificial intelligence (‘AI’) models and services, and by using AI models and services to commercially exploit and distribute copies of its protected works to consumers in violation of Disney’s copyrights,” reads the letter to Google’s general counsel from law firm Jenner & Block on behalf of Disney.

The letter continued, “Google operates as a virtual vending machine, capable of reproducing, rendering, and distributing copies of Disney’s valuable library of copyrighted characters and other works on a mass scale. And compounding Google’s blatant infringement, many of the infringing images generated by Google’s AI Services are branded with Google’s Gemini logo, falsely implying that Google’s exploitation of Disney’s intellectual property is authorized and endorsed by Disney.”

According to the letter, which Variety has reviewed, Disney alleges that Google’s AI systems and services infringe Disney characters including those from “Frozen,” “The Lion King,” “Moana,” “The Little Mermaid,” “Deadpool,” “Guardians of the Galaxy,” “Toy Story,” “Brave,” “Ratatouille,” “Monsters Inc.,” “Lilo & Stich,” “Inside Out” and franchises such as Star Wars, the Simpsons, and Marvel’s Avengers and Spider-Man. In its letter, Disney included examples of images it claims were generated by text prompts in Google’s AI apps, including of Darth Vader

The allegations against Google follows cease-and-desist letters that Disney sent earlier to Meta and Character.AI, as well as litigation Disney filed together with NBCUniversal and Warner Bros. Discovery against AI companies Midjourney and Minimax alleging copyright infringement.

Asked for comment, a Google spokesperson said, “We have a longstanding and mutually beneficial relationship with Disney, and will continue to engage with them. More generally, we use public data from the open web to build our AI and have built additional innovative copyright controls like Google-extended and Content ID for YouTube, which give sites and copyright holders control over their content.”

According to Disney, the company has been raising its concerns with Google for months — but says Google hasn’t done anything in response, and that i anything, Google’s infringement has only increased during that time.

Bob Iger, Disney’s CEO, in an interview with CNBC Thursday, said, “Well, we’ve been aggressive at protecting our IP, and we’ve gone after other companies that have not honored our IP, not respected our IP, not valued it. And this is another example of us doing just that.”

Iger said Disney had been in discussions with Google “basically expressing our concerns” about its AI systems’ alleged infringement. “And ultimately, because we didn’t really make any progress, the conversations didn’t bear fruit, we felt we had no choice but to send them a cease-and-desist [letter].”

Disney’s letter to Google demands that Google “immediately cease further copying, publicly displaying, publicly performing, distributing, and creating derivative works of Disney’s copyrighted characters” in “outputs of Google’s AI Services, including through YouTube’s mobile app, YouTube Shorts and YouTube.” (Variety)

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“Street Fighter” Trailer: Chun-Li, Ryu, Ken and more are brought to life in new live-action film

A teaser trailer has been released for the new “Street Fighter” live-action film, featuring Chun-Li, Ken, Ryu and more characters from the highly popular video game franchise.

The trailer debuted during the 2025 Game Awards, where the film’s cast took the stage to introduce the first look at the movie.

The new “Street Fighter” movie is set in 1993, and, according to an official synopsis: “Estranged Street Fighters Ryu (Andrew Koji) and Ken Masters (Noah Centineo) are thrown back into combat when the mysterious Chun-Li (Callina Liang) recruits them for the next World Warrior Tournament: a brutal clash of fists, fate and fury. But behind this battle royale lies a deadly conspiracy that forces them to face off against each other and the demons of their past. And if they don’t, it’s game over!”

In addition to Koji, Centineo and Liang, the cast includes Cody Rhodes as Guile, Orville Peck as Vega, 50 Cent as Balrog, Jason Momoa as Blanka, Vidyut Jammwal as Dhalsim, Oliver Richters as Zangief, Hirooki Goto as E. Honda, David Dastmalchian as M. Bison, Roman Reigns as Akuma, Andrew Schulz as Dan Hibiki, Eric André as Don Sauvage, Mel Jarnson as Cammy, Rayna Vallandingham as Juli and Alexander Volkanovski as Joe.

“Street Fighter” is directed by Kitao Sakurai from a screenplay by Dalan Musson. Legendary co-produced with Japanese video game developer Capcom, while Paramount Pictures is distributing the film.

“Street Fighter” hits theaters Oct. 16, 2026. (Variety)

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Box Office: “Zootopia 2” returns to No. 1 as “Ella McCay” suffers one of worst debuts ever for Disney with $2m

Disney is experiencing the highs and lows the box office has to offer. On one hand, the studio’s animated sequel “Zootopia 2” returned to No. 1 in North America in its third weekend after sprinting past the $1 billion mark. On the other, the political dramedy “Ella McCay” cratered with $2.1 million in its domestic debut, suffering one of the worst openings in modern times for Disney.

To be fair, “Ella McCay” cost $35 million to produce, which is way less than Disney tends to spend on its theatrical releases. Most of the studio’s movies — including franchise fare from Marvel and “Avatar,” as well as family-friendly sensations like “Inside Out 2” and “Lilo & Stitch” — typically carry budgets above $200 million. Although “Ella McCay” isn’t in danger of turning a profit for Disney, the PG-13 misfire probably won’t cause heads to roll, either.

“Ella McCay,” written and directed by “The Simpsons” co-creator and “As Good As It Gets” filmmaker James L. Brooks, landed behind already low projections of $4 million. It’s not exactly a mystery as to why ticket sales missed the mark. “Ella McCay” is the kind of mid-budget film that studios hardly make anymore because audiences don’t show up to see them. And this one — a comedic drama about a young politician (Emma Mackey) who unexpectedly becomes her state’s governor — was roundly rejected by critics (a 24% Rotten Tomatoes average) and moviegoers (a “B-” grade on CinemaScore exit polls). “Ella McCay” continues a miserable box office run for Brooks after 2004’s “Spanglish” ($55 million against an $80 million budget) and 2010’s “How Do You Know?” ($48 million against a $120 million budget). However, the Oscar-winner could end his theatrical dry spell with Disney and 20th Century’s “The Simpsons Movie” in 2027.

“James L. Brooks defined character storytelling in the ‘80s and ‘90s with a string of award-winning comedy dramas,” says analyst David A. Gross of Franchise Entertainment Research. “Today, you can find material like this on television and even on social media, where it benefits from authenticity.”

“Zootopia 2,” after ceding the top spot to Universal and Blumhouse’s horror sequel “Five Nights at Freddy’s 2,” returned to first place with $26.3 million in its third weekend, a 39% decline from its prior outing. The family-friendly adventure has grossed $259 million domestically and $1.13 billion globally to date to stand as just the second Hollywood release this year to cross the coveted $1 billion mark.

“Five Nights at Freddy’s 2” slid to second place with $19.5 million, a brutal 70% drop from its scary-good $64 million debut. That’s rough, but not as bad as the original “Five Nights at Freddy’s” — which cratered by 76.2% in its second weekend while playing simultaneously on streaming. Still, “Five Nights at Freddy’s 2” cost just $36 million and registers as an undisputed win for Blumhouse, having already grossed $95 million and $173 million globally after two weekends in theaters.

“Wicked: For Good” remained at No. 3 with $8.5 million in its fourth weekend of release, a 51% decline from its prior outing. So far, Universal’s big-budget musical has earned $312 million domestically and $467 million globally. “Wicked: For Good” appears to be running out of steam much faster than its predecessor, 2024’s “Wicked,” which powered to $474 million in North America and $758 million globally.

A standout at the specialty box office includes Chloe Zhao’s “Hamnet” with $1.5 million from 749 venues. (That’s roughly $500,000 less than “Ella McCay” despite playing in a fraction of the number of theaters.) So far, “Hamnet, a well-reviewed tragedy starring Jessie Buckley and Paul Mescal that follows the death of William Shakespeare’s son, has amassed $7 million to date. (Variety)

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‘‘Battle After Another’ leads Golden Globes nominations with nine’’

Paul Thomas Anderson’s politically charged “One Battle After Another” leads the nominations for the Golden Globes with nine, organizers announced Monday, as the race to the Oscars kicked into high gear.

Norwegian family dramedy “Sentimental Value” was second with eight. It is followed by period horror movie “Sinners” with seven and Shakespeare family drama “Hamnet” with six.

“Wicked: For Good” ended up with five nominations – a disappointing showing for the smash hit musical, which failed to secure a nod for best musical/comedy.

The Globes, set for January 11, are widely seen as a bellwether for the Academy Awards.

The Golden Globes offer separate awards for dramas and comedies/musicals – widening the field of stars who could walk the red carpet, and fueling the suspense.

“One Battle After Another,” which centers on an aging revolutionary (Leonardo DiCaprio) and his teenage daughter (Chase Infiniti), leads the contenders in the comedy/musical categories.

The film is a rollicking ride featuring leftist radical violence, immigration raids and white supremacists.

It won a pile of nominations, including best comedy/musical picture, best director and five acting nods: DiCaprio, Infiniti, Sean Penn, Benicio Del Toro and Teyana Taylor.

“Sentimental Value,” a moving story of a fractured family, won nominations for Swedish legend Stellan Skarsgard and co-star Renate Reinsve.

It is one of several foreign language films to gain traction in the main categories, along with Brazil’s “The Secret Agent” and South Korea’s “No Other Choice.”

On the drama side, past Oscar winners Jennifer Lawrence (“Die, My Love”) and Julia Roberts (“After the Hunt”) will do battle with Jessie Buckley (“Hamnet”), Reinsve, Tessa Thompson (“Hedda”) and Eva Victor (“Sorry, Baby”).

Each main category will have six nominees, not five as in past years.

On the drama side, beyond the leader “Sentimental Value,” the top contenders all delve into the past.

“Sinners,” from “Black Panther” director Ryan Coogler, stars Michael B. Jordan as twins in the criminal underworld who encounter a sinister force as they return home to racially segregated Mississippi in the 1930s.

The film was a runaway box office success, and both Coogler and Jordan secured nominations. It led the nods for the Critics Choice Awards on Friday with 17.

“It has so much going for it – it’s a big moneymaker, it was a culturally significant hit,” explained Davis.

“Hamnet,” from Oscar-winning director Chloe Zhao, stars Paul Mescal as William Shakespeare, who tries to forge a career as a playwright while his wife Agnes – played by Buckley – contends with the perils of plague and childbirth in Elizabethan England.

Both stars earned nominations, along with Zhao.

Guillermo Del Toro’s adaptation of “Frankenstein” earned five nominations including one for Jacob Elordi as the iconic monster.

Oscar nominations are due on January 22, so the picks for the Globes will begin to map the road to the Academy Awards.

The Globes also honor the best in television, with HBO’s black comedy anthology “The White Lotus,” sci-fi office thriller “Severance” and searing teen murder saga “Adolescence” leading the contenders.

Last year’s Globes gala hosted by comedian Nikki Glaser was a hit with audiences, with more than 10 million tuning in.

Glaser will return as host of the January 11 gala in Beverly Hills. (Vanguard)

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Cary-Hiroyuki Tagawa, actor who performed in “Mortal Kombat”, dies at 75


Cary-Hiroyuki Tagawa, a Tokyo-born actor known for his roles in the film “Mortal Kombat” and TV series “The Man in the High Castle” has died. He was 75.

Tagawa died surrounded by his family in Santa Barbara from complications due to a stroke, his manager, Margie Weiner, confirmed on Thursday.

“Cary was a rare soul: generous, thoughtful, and endlessly committed to his craft,” she said in an email. “His loss is immeasurable. My heart is with his family, friends, and all who loved him.”

Tagawa’s decades of film and TV roles truly got off the ground in 1987 when he appeared in Bernardo Bertolucci’s Oscar-winning film “The Last Emperor.” Since then, he appeared in such films as “Pearl Harbor,” “Planet of the Apes” and “License to Kill.”

Tagawa was raised mostly in the US South while his Hawaii-born father was assigned to US mainland Army bases. He lived in Honolulu and on the Hawaiian island of Kauai for a while.

Tagawa’s father met his mother while stationed in Japan, Tagawa told Honolulu Magazine in 2004. His parents named him after Cary Grant and his brother after Gregory Peck, he said.

His mother, Ayako, had been a stage actor in Japan, according to the Honolulu weekly newspaper Midweek. Tagawa said she asked him not to pursue acting because there weren’t many good roles for Asians.

He eventually began an acting career at age 36 after being a celery farmer, limo driver, pizza supply truck driver and photojournalist, he said.

“The good news for Asian actors and Hollywood is that it’s better than it’s ever been, but the bad news is that it hasn’t changed that much,” he told Midweek in 2005. “The opportunities haven’t increased that much, but commercially there’s more exposure.”

Tagawa played the Baron in “Memoirs of a Geisha,” a 2005 movie based on the bestselling novel chronicling a young girl’s rise from poverty in a Japanese fishing village to life in high society.

Some critics said the movie lacked authenticity, but Tagawa said it was unrealistic to expect a fictional work written and directed by Americans to fully reflect Japanese style and sensitivities.

“What did they expect? It wasn’t a documentary,″ Tagawa told The Associated Press in 2006. “Unless the Japanese did the movie, it’s all interpretation.″

Tagawa told the AP that he studied various martial acts but left because he wasn’t into fighting or competition.

Instead, he developed a system he called Ninjah Sportz, which incorporated martial arts as a training and healing tool. He worked with professional athletes like World Boxing Council light flyweight champion Brian Viloria and advised members of the University of Hawaii football team.

In 2008, Tagawa pleaded guilty in a Honolulu court to a petty misdemeanor charge of harassing a girlfriend. She had bruises to her legs, police said at the time.

His attorney said he took full responsibility for the case from the beginning and made no excuses. (CNN)

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Netflix to buy Warner Bros film and streaming businesses for $72bn

Netflix has agreed to buy the film and streaming businesses of Warner Bros Discovery for $72bn (£54bn) in a major Hollywood deal.

The streaming giant emerged as the successful bidder for Warner Bros ahead of rivals Comcast and Paramount Skydance after a drawn-out battle.

Warner Bros owns franchises including Harry Potter and Game of Thrones, and the streaming service HBO Max.

The takeover is set to create a new giant in the entertainment industry, but the deal will still have to be approved by competition authorities.

Netflix co-chief executive Ted Sarandos said the streamer was “highly confident” it would receive the regulatory approval it needs and it was running “full speed” towards this.

He said that by combining the library of Warner Bros shows and movies with the streaming platform’s series such as Stranger Things, “we can give audiences more of what they love and help define the next century of storytelling”.

“Warner Bros have defined the last century of entertainment, and together we can define the next one,” he said.

Asked whether HBO should remain a separate streaming service, co-chief executive Greg Peters said Netflix believed the HBO brand was important for consumers, but added: “We think it’s quite early to get into the specifics of how we’re going to tailor this offering for consumers.”

Netflix estimates it will find $2bn to $3bn in savings, mostly through eliminating overlaps in the support and technology areas of the businesses.

Films made by Warner Bros will continue to be launched in cinemas, it said, and Warner Bros television studio will continue to be able to produce for third parties. Netflix will keep producing content exclusively for its own platform.

Labelling it a “big day” for the companies, Mr Sarandos acknowledged the acquisition may have surprised some shareholders but it was a “rare opportunity” to set Netflix up for success “for decades to come”.

David Zaslav, president and chief executive of Warner Bros, added the agreement would combine “two of the greatest storytelling companies in the world”.

“By coming together with Netflix, we will ensure people everywhere will continue to enjoy the world’s most resonant stories for generations to come,” he said.

The cash and stock deal is worth $27.75 per Warner Bros share, with a total enterprise value – which includes the company’s debts and the value of its shares – of about $82.7bn. The equity value, or cash price, is $72bn.

The boards of directors from each company unanimously approved the deal. (BBC)

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Udo Kier, German Actor who appeared in ‘‘My Own Private Idaho,’’ ‘‘Andy Warhol’s Frankenstein,’’ dies at 81

Udo Kier, a German actor and cult icon who collaborated with everyone from Andy Warhol to Lars von Trier to Madonna, died on Sunday morning in Palm Springs, according to his partner, artist Delbert McBride. He was 81.

Among the more than 200 films in his expansive body of work, Kier’s breakout collaborations with Warhol are among his most celebrated. Kier starred in the titular roles in both 1973’s “Flesh for Frankenstein” and 1974’s “Blood for Dracula.” Both directed by Paul Morrissey and produced by Warhol, the films are subversive, sultry reimaginings of the classic Hollywood monsters, with Kier bringing a haunting yet comically inept spin on the title characters.

That pair of films made Kier famous, and he spent the next two decades working through Europe and collaborating with legendary writer-director Rainer Werner Fassbinder on films like “The Stationmaster’s Wife,” “The Third Generation” and “Lili Marleen.” Then, at the Berlin Film Festival, Kier met future two-time Oscar-nominated director Gus Van Sant, who Kier credits with securing him an American work permit and a SAG card.

In 1991, Van Sant widely introduced Kier to American audiences with his coming-of-age drama “My Own Private Idaho,” loosely based on Shakespeare’s “Henry IV.” Kier appeared in a supporting role alongside stars River Phoenix and Keanu Reeves.

Around the same time, Kier began his lifelong collaboration with von Trier. Starting in the late ’80s with “Epidemic,” Kier appeared in the 1991 film “Europa” before appearing in several episodes of von Trier’s long-running horror-thriller series “The Kingdom” through the ’90s and aughts. Their other film collaborations include “Breaking the Waves,” “Dancer in the Dark,” “Dogville,” “Melancholia” and “Nymphomaniac: Vol. II.”

The 1990s also saw Kier in several supporting roles in major Hollywood productions, such as “Ace Ventura: Pet Detective,” “Armageddon” and “Blade.” He also appeared in Madonna’s book “Sex” in 1992, and made appearances in her music videos for “Erotica” and “Deeper and Deeper” from her album “Erotica.”

Most recently, Kier appeared in Kleber Mendonça Filho’s awards darling “The Secret Agent.” The film earned star Wagner Moura the honor for best actor at the 2025 Cannes Film Festival.

Born Udo Kierspe in Cologne, Germany, in a hospital that was being bombed by Allied Forces, he moved to London at 18 after meeting Fassbinder in a bar.

“I liked the attention, so I became an actor,” he told Variety‘s Peter Debruge in a 2024 interview.

After working between Europe and the U.S. for many decades, Kier settled in Los Angeles and Palm Springs, where he lived in a former mid-century library and cultivated interests in art, architecture and collecting. He was a fixture at the Palm Springs Film Festival, where he warmly received accolades from fans. (Variety)

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Pras Michel: Fugees rapper ‘‘who betrayed US for money’’ is jailed for 14 years

A Grammy-winning rapper who “betrayed his country for money” has been sentenced to 14 years in prison.

Prakazrel “Pras” Michel, who was part of 1990s hip-hop group The Fugees, was convicted of illegally funnelling millions of dollars in foreign contributions to Barack Obama’s re-election campaign in 2012.

The Justice Department had accused the 53-year-old of accepting $120m (£92m) from Malaysian financier Low Taek Jho, who wanted to gain political influence in the US.

Prosecutors said Michel “lied unapologetically and unrelentingly to carry out his actions” – and sought to deceive the White House, senior politicians and the FBI for almost a decade.

In 2018, it is claimed he urged the Trump administration and the justice department to drop embezzlement investigations against Low.

Michel was convicted of 10 counts by a federal jury in 2023 – and last month, he was ordered to forfeit about $65m (£50m) for his role in the scheme.

Hollywood star Leonardo DiCaprio testified at the trial, and Low was a primary financier in his 2013 film The Wolf Of Wall Street.

The Oscar-winning actor said the businessman’s funding and legitimacy had been carefully vetted before they entered a partnership.

Prosecutors had been seeking a life sentence to “reflect the breadth and depth of Michel’s crimes, his indifference to the risks to his country, and the magnitude of his greed”.

However, the rapper’s lawyer Peter Zeidenberg has argued that the 14-year term is “completely disproportionate to the offence” – and is vowing to appeal.

Last year, a judge rejected Michel’s request for a new trial after claiming that one of his lawyers had used AI during closing arguments.

Low Taek Jho has been accused of having a central role in the 1MDB scandal, amid claims billions of dollars were stolen from a Malaysian state fund.

The 44-year-old is a fugitive but has maintained his innocence, with his lawyers writing: “Low’s motivation for giving Michel money to donate was not so that he could achieve some policy objective.

“Instead, Low simply wanted to obtain a photograph with himself and then President Obama.”

Michel, who was born in Brooklyn, was a founding member of The Fugees with childhood friends Lauryn Hill and Wyclef Jean – selling tens of millions of records. (SkyNews)

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Ayra Starr, Tyla, Burna Boy and more are nominated for 2026 Grammy Awards

The Recording Academy has announced the nominees for the 2026 GRAMMY Awards, unveiling the musicians and recordings that influenced the past year. The ceremony is scheduled for February 1, 2026, at Crypto.com Arena in Los Angeles, with a global broadcast on CBS and streaming on Paramount+.

This year’s nominations arrive at a moment when African music has firmly entered the global conversation and is heavily informing and directing it. From Lagos to Johannesburg, Accra to Nairobi, and all the areas in between, the sound of the continent continues to influence how people dance, feel, remember, mourn, and celebrate. African artists are the moment, the center stage, the sauce, injecting global sounds with spirit and soul.

The 2025 GRAMMYs offered a clear illustration of this shift. Tems won the award for Best African Music Performance with “Love Me JeJe,” a recognition that reflected positively on her ongoing rise and the Academy’s increasing acknowledgment of African innovation as a contemporary cultural force. South African flautist Wouter Kellerman also earned a win in the New Age/Ambient category, the third in his career so far, proving that African musicians are excelling across genres that have historically seldom recognized them. And although some African nominees did not take home trophies in the major categories, their presence alone marked a meaningful step forward. The Grammys have come a long way, but work still needs to be done if African music is to be viewed in its fullness. 

In the Best African Music Performance category, the nominees reflect the breadth of the continent’s sound in 2025. Burna Boy earns a spot with “Love”, while Davido and Omah Lay come in with the tender, radio-favored “With You.” Uganda’s Eddy Kenzo teams up with Mehran Matin on “Hope & Love,” while Ayra Starr and Wizkid’s effortlessly catchy “Gimme Dat” also makes the list, standing alongside Tyla‘s “Push 2 Start.” Angélique Kidjo returns to familiar territory with a nomination for Best Global Music Performance for “Jerusalema,” reaffirming her status as one of the continent’s most decorated and enduring cultural ambassadors. Similarly, Burna Boy extends his international streak with a nod for Best Global Music Album, making it the 11th time he’s been nominated.

Nigerian-American country artist Shaboozey earns a nomination for Best Country Solo Performance with “Good News,” and also appears in the Best Country Duo/Group Performance category for “Amen,” alongside Jelly Roll. In the Best Global Music Album category, two giants who have shaped the modern sound of the continent stand side by side. Burna Boy lands a nomination for No Sign of Weakness, while Senegalese maestro Youssou N’Dour, whose album Éclairer le monde (Light the World) speaks to his long-standing role as both cultural ambassador and sonic innovator.

The Recording Academy has continued to diversify and globalize its membership, incorporating more voices with lived experience across a wider array of musical cultures. As the voting body becomes more reflective of the world’s actual musical communities, the awards naturally shift as well, which makes possible an environment in which African musicians are an essential part of defining the core of the conversation. 

As anticipation builds toward February, the question now is how far this influence will extend and how it will continue to reshape the global landscape of sound. The nominations affirm that the continent is firmly in the room. It’s in the sound, the style, and the pulse of the present. (OkayAfrica)

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‘I no longer live in Nigeria’ — Ayra Starr

Afrobeats star Ayra Starr has confirmed that she has officially moved out of Nigeria.

During an online live session, the singer admitted to moving to New York, marking a new chapter in her personal life and career.

Though it has been less than two months since her relocation, the singer says the city already feels like home.

“Moved to New York in less than two months officially, but I’m always in newyork regardless, I’ve always been in New York, I’m a newyorker in my spirit,” she shared.

According to her, the bustling rhythm of New York echoes the familiar chaos and energy of Lagos, the city she grew up in.

“I’m a New Yorker in my spirit, I feel it; New York reminds me so much of Lagos,” she said.

The presence of a large African and Nigerian community in the city, she added, has made the transition feel natural.

“There’s a lot of Nigerians here, there’s a huge African diaspora here so it feels like home.” (Vanguard)