Category: Entertainment

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Oscars: Academy reveals full lists of qualifying documentary, international and animated features

A total of 201 documentary features, 86 international features and 35 animated features are eligible for Oscar recognition this season in the best documentary feature, best international feature and best animated feature categories, respectively, the Academy of Motion Picture Arts and Sciences announced on Friday.

The only time more documentaries were deemed eligible — 238 — was the year in which the pandemic led to an extension of the period of eligibility from 12 to 14 months (Jan. 1, 2020 to Feb. 28, 2021) and docs that did not play in theaters were considered.

This year’s list of eligible documentary features includes titles that have dominated at the doc community’s precursor awards, including Netflix’s The Perfect Neighbor and Apocalypse in the Tropics, Apple’s Come See Me in the Good Light and Neon’s Orwell: 2+2=5. It also includes two acclaimed films made by celebrities about their famous parents, HBO’s My Mom Jayne and Apple’s Stiller & Meara: Nothing Is Lost, which were directed by Mariska Hargitay and Ben Stiller, respectively. And there are several titles related to recent turmoil in the Middle East, including Hemdale/Metallux’s Torn: The Israel-Palestine Poster War on New York City Streets and the self-distributed Coexistence, My Ass!, Holding Liat and Put Your Soul on Your Hand and Walk.

This year’s list of eligible documentary features includes titles that have dominated at the doc community’s precursor awards, including Netflix’s The Perfect Neighbor and Apocalypse in the Tropics, Apple’s Come See Me in the Good Light and Neon’s Orwell: 2+2=5. It also includes two acclaimed films made by celebrities about their famous parents, HBO’s My Mom Jayne and Apple’s Stiller & Meara: Nothing Is Lost, which were directed by Mariska Hargitay and Ben Stiller, respectively. And there are several titles related to recent turmoil in the Middle East, including Hemdale/Metallux’s Torn: The Israel-Palestine Poster War on New York City Streets and the self-distributed Coexistence, My Ass!, Holding Liat and Put Your Soul on Your Hand and Walk.

The most glaring omission from the list: The Eyes of Ghana, a documentary directed by the two-time Oscar-winning documentarian Ben Proudfoot, which is still seeking distribution. The Hollywood Reporter has confirmed that a late decision was made to hold the film for next awards season. Other high-profile docs that were expected to be on the list but are not, either because they were not submitted or because they failed to meet the eligibility requirements, include A24’s Marc by Sofia, Oscar winner Sofia Coppola’s portrait of Marc Jacobs, and Oscar winner Questlove’s Hulu film Sly Lives! (aka the Burden of Black Genius).

The list of eligible international features includes five widely lauded films that are being distributed in the U.S. by Parasite backer Neon and could conceivably all earn nominations: Norway’s Sentimental Value, Brazil’s The Secret Agent, South Korea’s No Other Choice, Spain’s Sirāt and France’s It Was Just an Accident. It Was Just an Accident, which won the Cannes Film Festival’s Palme d’Or, was directed by Jafar Panahi, a filmmaker from Iran but does not reflect well on the country; as a result, Iran submitted the much lower-profile Cause of Death: Unknown, while France submitted It Was Just an Accident, on the basis that much of the film’s financing was French.

Other countries that made interesting submissions include Japan (GKIDS’ Kokuho, a film about Kabuki performers, which is now the highest-grossing non-animated film in that country’s history); Iraq (Sony Classics’ The President’s Cake won two prizes at Cannes); Belgium (Music Box’s Young Mothers could bring the brothers Jean-Pierre Dardenne and Luc Dardenne the first Oscar noms of their distinguished careers); and Taiwan (Netflix’s Left-Handed Girl, which was co-written by Anora Oscar winner Sean Baker).

Meanwhile, at least three countries submitted acclaimed documentaries for best international feature consideration: Ukraine (PBS’ 2000 Meters to Andriivka, a doc about a Ukrainian platoon’s fight to retake a city from Russian invaders, which was directed by Mstyslav Chernov, who won the best doc feature Oscar two years ago); North Macdeonia (Nat Geo’s The Tale of Silyan, from Tamara Kotevska, whose 2019 film Honeyland was nominated for best international feature and doc feature Oscars); and Denmark (Mr. Nobody Against, a film about Vladimir Putin’s propaganda efforts, which is still seeking U.S. distribution).

And the list of animated features includes giant blockbusters like Crunchyroll’s Demon Slayer: Kimetsu no Yaiba Infinity Castle, which is now the highest-grossing Japanese film of all time and the highest-grossing international film in the U.S. of all time, as well as the fifth-highest-grossing film of 2025; streaming hits like Netflix’s KPop Demon Hunters, which is now that streamer’s most watched film ever; acclaimed indies like Neon’s Arco, a French-language critics’ darling that counts Natalie Portman among its producers; and highly-anticipated forthcoming titles like Disney’s Zootopia 2.

Among the animated films that were expected to contend but are not on the list of eligible titles, either because they were not submitted or because they failed to meet the eligibility requirements, are A24’s Ne Zha 2, Sony’s Paddington in Peru and Paramount’s Smurfs.

The documentary feature and international feature categories are winnowed down to shortlists before nominations, while the animated feature category goes straight to nominations. Shortlist voting will span Dec. 8-12, 2025, and the announcement of the shortlists will come on Dec. 16. Nominations voting in all categories will span Jan. 12-16, 2026, and the announcement of the nominations will come on Jan. 22, 2026. (THR)

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Jamaican Reggae legend Jimmy Cliff dies at 81

Reggae icon, Jimmy Cliff, one of the most prominent and beloved proponents of reggae music, died on Monday, at the age of 81.

A star since the 1960s, Cliff helped bring the sound of Jamaica to a global audience with hits including Wonderful World, Beautiful People and You Can Get It If You Really Want.

He also starred as a gun-toting rebel in the 1972 crime drama The Harder They Come, a cornerstone of Jamaican cinema, widely credited with introducing reggae to America.

Using the late icon’s official Instagram account on Monday, Cliff’s wife, Latifa Chambers, announced his death.

“It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia.

“I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him.

“To all his fans around the world, please know that your support was his strength throughout his whole career.

“Jimmy, my darling, may you rest in peace. I will follow your wishes,” she wrote.

The message was also signed by their children, Lilty and Aken.

Born James Chambers in 1948, Cliff grew up as the eighth of nine children in abject poverty in the parish of St. James, Jamaica.

He began singing at his local church at the age of six, and by 14 had moved to Kingston, adopting the surname Cliff to reflect the heights he intended to reach.

He recorded several singles before topping the Jamaican charts with his composition Hurricane Hattie. In 1965, he moved to London to work with Island Records—later home to Bob Marley—though early attempts to adapt his sound to rock audiences were not fully successful.

Cliff struck gold with the 1969 single Wonderful World, Beautiful People—an upbeat anthem—and the politically charged Vietnam, which Bob Dylan called “the best protest song ever written.”

Cliff became an international star with The Harder They Come, playing Ivan Martin, a young man trying to break into Jamaica’s corrupt music industry.

“The film opened the door for Jamaica,” Cliff recalled. “It said, ‘This is where this music comes from.’”

His later works included Grammy-winning albums Cliff Hanger (1985) and Rebirth (2012). He was inducted into the Rock and Roll Hall of Fame in 2010. (Punch)

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Baba Ijesha not cleared of sexual assault charges –LASG

The Lagos State Government has dismissed circulating claims that Nollywood actor Olanrewaju James, popularly known as Baba Ijesha, was released from prison because he was cleared of sexual offences charges by the Court of Appeal.

The Attorney General and Commissioner for Justice, Mr Lawal Pedro (SAN), issued the clarification on Sunday, describing the claims as “false, misleading and irresponsible.”

Nollywood actor, Yomi Fabiyi, had on Friday alleged on his Instagram post that Baba Ijesha regained freedom after being exonerated by the Appeal Court.

Fabiyi further claimed the court cleared the actor of ever sexually assaulting a minor, calling the case “a charade.”

Pedro explained that the clarification became necessary following Fabiyi’s claims that the Court of Appeal “cleared” the convict of ever defiling a minor and that the entire case was a “charade.”

He said the public must disregard those claims, stressing that Baba Ijesha was released only because he had completed the prison term affirmed by the Court of Appeal.

The Attorney General recalled that the High Court of Lagos State convicted the actor on July 14, 2022, for sexual assault and indecent treatment of a child in an incident that occurred in 2021, sentencing him to five years and three years, respectively, to run concurrently.

Baba Ijesha challenged the conviction at the Court of Appeal.

In its judgment delivered on June 28, 2024, the appellate court set aside only the counts relating to alleged offences committed between 2013 and 2014 but upheld his conviction and sentence for the offences committed in 2021.

Pedro noted that the actor’s further appeal to the Supreme Court was filed as Appeal No. SC/CR/757/2024—was struck out on 29 May 2025 for incompetence.

A subsequent application for leave to file a fresh appeal (SC.ML/333/2025) was also dismissed by the apex court on October 9, 2025, leaving the Court of Appeal’s decision intact.

“Mr. Olanrewaju James’s release was not as a result of the Appeal Court overturning his conviction or sentence,” Pedro said.

“He was released solely because he had fully served the punishment affirmed by the Court of Appeal. He was not cleared of the offences of sexual assault and indecent treatment of a child,” Pedro said.

The Attorney General warned Fabiyi and any media platform spreading the false information to desist or risk criminal prosecution for publication of false news with intent to cause fear and alarm to the public, contrary to Section 39 of the Criminal Law of Lagos State, 2015.

He urged the public to ignore the misinformation, reaffirming that the state remains committed to upholding the rule of law and protecting child victims of sexual abuse. (Punch)

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Disney+ has ‘huge opportunity’ in games and will tap into AI-based user generated content, CEO Iger says

Ready to play a game starring Stitch on Disney+? Or maybe create some kind of personalized, AI-animated version of the chaotic but oh-so-adorable alien from “Lilo & Stitch” you can share with your friends?

Disney+, which is in the process of merging with Hulu into a unified platform, is preparing “the biggest and the most significant changes from a product perspective” since the streaming service launched in late 2019, according to CEO Bob Iger, speaking on the media giant’s September quarter earnings call Thursday.

Iger then sketched out Disney+’s future roadmap — which could include games, commerce and AI user generated content. The big vision, he said, “particularly with the deployment of AI,” is to be able to leverage Disney+ “as a portal to all things Disney.”

“There’s an opportunity to use it as an engagement engine for people who want to go to our theme parks, want to stay at our hotels, want to enjoy our cruises, our cruise ships,” said Iger. “And obviously, there’s a huge opportunity for games.” He cited Disney’s $1.5 billion investment in Epic Games, the company behind “Fortnite,” and while the games and experiences developed under the partnership “will largely be on their platform,” the Epic pact “gives us an opportunity to integrate a number of game-like features into Disney+.”

Iger, on a roll, continued, “The other thing that we’re really excited about that AI is going to give us the ability to do is to provide users at Disney+ with a much more engaged experience, including the ability for them to create user generated content and to consume user generated content, mostly short form from others.”

“There are great opportunities in terms of our collection of data and our mining of data,” Iger told analysts. “And I’d say above all else, there’s phenomenal opportunities to deploy AI across our direct-to-consumer platforms, both to provide tools that make the platforms more dynamic and more sticky with consumers, but also give consumers the opportunity to create on our platforms.”

Needless to say, any AI features the Mouse House lights up on Disney+ would likely be confined within a very strict sandbox. Iger said Disney execs have had “some interesting conversations with some of the AI companies, and I would characterize some of them as quite productive conversations as well, seeking to not only protect the value of our IP and of our creative engines, but also to seek opportunities for us to use their technology to create more engagement with consumers. And we feel encouraged by some of the discussions that we’re having.”

Iger didn’t identify which AI companies Disney has spoken to. But, he said, “It’s obviously imperative for us to protect our IP using with this new technology, and we’ve been pretty engaged on that subject with a number of entities, and I’m hopeful that ultimately we’ll be able to reach some agreement with the industry or companies” that would “reflect our need to protect the IP.”

On that front, this year Disney began actively engaged in legal action against AI companies that it alleges had infringed its copyrights. Disney, together with NBCUniversal and Warner Bros. Discovery, has sued Midjourney and Chinese AI company MiniMax, seeking to recover monetary damages and injunctions to block the alleged infringement.

Beyond using AI for content production and for features in products like Disney+, the company sees opportunities in terms of increasing efficiency by deploying AI across the enterprise “as we engage with our cast members and our our employees, but also our guests and our customers.” (Variety)

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Pope Leo welcomes Hollywood stars to the Vatican

Pope Leo has held an audience with Hollywood stars, urging actors and directors including Cate Blanchett, Viggo Mortensen and Monica Bellucci to continue their work as “pilgrims of the imagination”, helping to “bring hope”.

The celebrity meeting was a sprinkling of star dust for a still relatively new pope and a way for the Catholic Church to engage more with the world beyond.

It was also a strong show of support from Leo XIV for the global film industry, as he spoke out against the “troubling decline” in cinema-going.

Hailed by director Spike Lee as a “great day”, the gathering was the first of its kind in the Vatican.

Beneath the magnificent frescoes of the Clementine Hall, Pope Leo spoke in Italian to praise the power of cinema to entertain and to educate – and for its “capacity to amaze”.

But he urged filmmakers not to shy away from what he called “the world’s wounds”.

“Violence, poverty, exile, loneliness, addiction and forgotten wars are issues that need to be acknowledged and narrated,” the Pope said. “Good cinema does not exploit pain; it recognizes and explores it. This is what all the great directors have done.”

Six months since a conclave of cardinals elected the first North American to the Papacy, some Catholics feel that Leo has been slow to stamp his own mark on the role.

His predecessor, Francis, was a charismatic Argentinian known for his off-the-cuff comments and dramatic gestures. Leo’s style is far quieter, so this star-studded engagement is a new look.

It’s not clear how the cast list was drawn up, although none of the directors in the hall – who came from all over the world – made it onto the Pope’s own top film list.

This week, the Vatican revealed that his favourite four watches of all time included the 1960s nun-themed classic The Sound of Music, It’s a Wonderful Life and Italian Roberto Benigni’s multi award-winning Life is Beautiful.

Among those who did join today’s A-list audience were Mortensen, Chris Pine and filmmaker Gus Van Sant – of Milk and Good Will Hunting fame. The large Italian contingent included Gianni Amelio and Cinema Paradiso creator, Giuseppe Tornatore.

At a time of immense pressure on film, not long after a major Hollywood strike and with funding strains here in Italy, the Pope spoke in defence of the industry.

He was applauded loudly when he talked of the “quiet dedication” of all those behind the scenes with vital roles.

He also warned against the closure of cinemas which he characterised as the “beating heart of communities”.

“More than a few people are saying that the art of cinema and the cinematic experience are in danger. I urge institutions not to give up, but to cooperate in affirming the social and cultural value of this activity,” the Pope said.

After a fifteen-minute speech and a blessing he then received each audience member in turn, led by Blanchett.

“He really urged us to go back into our day jobs and inspire people,” the Australian-born star told reporters.

One of many who came bearing gifts, the actress – who works with the UN refugee agency, UNHCR – placed a woven bracelet in the Pope’s hand. “It was a bracelet I wear in solidarity with people who are displaced,” she explained later.

Lee handed the Chicago-born Pope a New York Knicks shirt printed with the number 14 and the words Pope Leo. (BBC)

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Webtoon Entertainment, Warner Bros. Animation to co-produce adaptations of 10 popular webcomics

Webtoon Entertainment will bring a batch of stories that originated on mobile phones to life as animated projects under a new deal with Warner Bros. Animation. The companies intend to enter into an agreement to co-produce 10 fan-favorite Webtoon webcomics series for global distribution.

The collaboration is a “significant expansion of Webtoon Entertainment’s animation pipeline,” according to the company. Projects are to be selected from the company’s Korean- and English-language platforms, with development support from Webtoon Entertainment’s U.S.-based Webtoon Productions and Japanese intellectual-property business teams.

The projects Webtoon plans to co-produce with Warner Bros. Animation could be films or series, but right now it’s early in the process — and no release dates have been targeted yet. The creators of the original Webtoon webcomics own the IP and, under their agreements with the company, will receive a share of revenue generated from the animation projects, said Yongsoo Kim, Webtoon Entertainment’s chief strategy officer and head of global.

“Our creators are building franchises that Gen Z audiences love, and working with Warner Bros. Animation gives us an incredible opportunity to take those stories further alongside one of the most respected names in animation,” said Kim.

Other Webtoon Entertainment adaptations are available on Netflix, Amazon’s Prime Video, Sony’s Crunchyroll and other platforms. The company’s content partners include Disney, Discord, HYBE and DC Comics. Webtoon, a pioneer in the webcomic format, has about 155 million monthly active users globally.

Warner Bros. Animation is home to animated characters from the DC, Hanna-Barbera, MGM and Looney Tunes libraries. WBA recently released original anime feature film “The Lord of the Rings: The War of the Rohirrim” with New Line Cinema and “The Day the Earth Blew Up: A Looney Tunes Movie,” released on March 14, 2025, with Ketchup Entertainment.

“Bringing together the world-class artistry of Warner Bros. Animation and the vibrant storytelling of Webtoon creates an awesome combination and opportunity to build something special,” said Sam Register, president of Warner Bros. Animation, Cartoon Network Studios, Hanna-Barbera Studios Europe.

Sinbae Kim, chief growth officer of LINE Digital Frontier, leads Webtoon’s global animation efforts and was involved in inking the Warner Bros. Animation deal. According to Kim, Webtoon has a “unique ability to discover original voices, nurture global fandoms and build the next generation of franchise storytelling from the ground up… This partnership with Warner Bros. Animation is an exciting next step in that journey — one that expands what’s possible for our creators, our studios and our fans.”

“From hits like ‘True Beauty,’ ‘Clevatess’ and ‘Tower of God’ to many more adaptations in progress, we’re proving that great stories can start on a phone screen and grow into global entertainment phenomena,” said Kim. (Variety)

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Tom Cruise receives honorary Oscar

Tom Cruise accepted an honorary Oscar at the Governors Awards in Los Angeles on Sunday night, delivering an emotional speech about his lifelong passion for filmmaking.

The Academy Honorary Award was presented by Alejandro González Iñárritu, who is directing Cruise in an unnamed film slated for release next year.

The four-time Oscar-nominated actor described filmmaking as not just a job, but “who I am”.

“It takes me around the world,” Cruise told the audience in the Ray Dolby Ballroom.

“It helps me to appreciate and respect differences. It shows me, also, our shared humanity, how alike we are in so, so many ways.

“And no matter where we come from, in that theatre, we laugh together, we feel together, we hope together, and that is the power of this art form. And that is why it matters; that is why it matters to me. So, making films is not what I do; it is who I am.”

The Mission: Impossible star was honoured alongside singer Dolly Parton, choreographer Debbie Allen, and Do the Right Thing production designer Wynn Thomas.

Historically, many recipients of the prize have not yet won a competitive Academy Award themselves.

Cruise has been nominated twice for Best Actor in Born on the Fourth of July and Jerry Maguire, once for Supporting Actor in Magnolia, and once as a producer for Best Picture with Top Gun: Maverick.

He told the crowd his love for cinema began at a young age.

“My love for cinema began at a very early age, as early as I can remember,” Cruise said.

“I was just a little kid in a darkened theatre, and I remember that beam of light just cut across the room, and I remember looking up, and it seemed to be just exploding on the screen. Suddenly, the world was so much larger than the one that I knew.”

Dolly Parton was recognised with the Jean Hersholt Humanitarian Award for her decades-long charitable endeavours.

Parton, who could not attend due to health concerns, sent her thanks via video.

When Cruise’s award was announced in June, Academy of Motion Picture Arts and Sciences President Janet Yang hailed Cruise’s “incredible commitment to our filmmaking community, to the theatrical experience, and to the stunts community”.

“This year’s Governors Awards will celebrate four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,” she said.

The Oscar nominations will be announced on 22 January 2026. The Academy Awards will take place on 15 March. (RTE)

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Jim Carrey in talks to star in ‘Jetsons’ live-action movie for Colin Trevorrow

Jim Carrey is zooming toward a live-action feature version of The Jetsons.

The actor is in talks to star in the project from Warner Bros. Pictures that has Colin Trevorrow attached to direct. Trevorrow and Joe Esptein are in talks to pen the script.

The Jetsons, which debuted as an animated comedy series on ABC in 1962, centered on a futuristic family comprised of George Jetson, wife Jane, their two kids, robot housekeeper Rosie and dog Astro. Hanna-Barbera produced the Space Age show that counted William Hanna and Joseph Barbera as co-creators.

Back in 2017, ABC ordered a pilot for a live-action television version from executive producer Robert Zemeckis. The project did not end up going to series.at counted William Hanna and Joseph Barbera as co-creators.

Carrey’s recent film credits have mostly been limited to his portrayal of Dr. Robotnik in Paramount’s live-action Sonic the Hedgehog franchise, with the actor playing a dual role in last year’s third theatrical installment. Carrey’s last movie outside of the Sonic series was the drama Dark Crimes that made its festival premiere in 2016.

Trevorrow’s latest feature as a director was 2022’s Jurassic World Dominion. Epstein served as showrunner and executive producer of the HBO series The Idol.

The Wrap was first to report on Carrey’s involvement. (THR)


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Oscar-winning actress Diane Keaton dead at 79 –  Report

Actress Diane Keaton, known for her Oscar-winning performance in 1977’s “Annie Hall” and her role in “The Godfather” films, has died at age 79, People magazine reported Saturday.

Details were not immediately available, and Keaton’s loved ones have asked for privacy, a family spokesperson told People, which confirmed that the actress died in California.

Keaton, a style icon, was a frequent collaborator of director Woody Allen , portraying the titular character in “Annie Hall,” the charming girlfriend of Allen’s comic Alvy Singer.

The film also garnered Oscars for best picture, best director and best original screenplay, cementing Keaton’s place as one of the industry’s top actresses and an offbeat style icon as well.

The actress made her mark co-starring in eight Allen movies, from “Play in Again Sam” (1972) to “Manhattan” (1979) and “Manhattan Murder Mystery” (1993).

As the Hollywood sexual harassment scandals detonated in late 2017, cascading from producer Harvey Weinstein to heavyweight actors like Kevin Spacey, old accusations of child sex abuse against Allen by his adoptive daughter Dylan, resurfaced.

“Woody Allen is my friend and I continue to believe him,” Keaton tweeted in January 2018.

A BAFTA and Golden Globe winner, Keaton scored Oscar nominations three other times for best actress, for “Reds,” “Marvin’s Room” and “Something’s Gotta Give.”

In “The Godfather” films, she played Kay Adams, the girlfriend and eventual wife of Al Pacino’s Michael Corleone.

Late in her career, Keaton starred in two movies about ageing women: “Book Club” (2018), with its message that love has no age, and “Poms” (2019).

“Poms” is the story of Martha, a terminally ill woman who moves to a retirement community to die, but winds up forming a cheerleading squad made up of female senior citizens.

As for ageing, Keaton said in a 2019 interview with AFP that life actually got easier.

“I think so, because what have you got to lose? It’s like it’s the truth. That’s what it is. You face it, we talk about it,” she said.

Born Diane Hall in Los Angeles on January 5, 1946, Keaton was romantically involved with Allen, Pacino and Warren Beatty, but never married.

“Most people in the movies get married at some point, and then they divorce. But I’ve never even got married. I am (a) failure,” she joked in the 2019 interview.

Did she regret it? “I don’t think about it a lot, but I’m aware of the fact that I’m unusual in that regard, and maybe I did miss out on something — but then, nobody can have everything, right?”

She is survived by her two children, Dexter and Duke. (Punch)

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Fela influenced me, but didn’t inspire my music — Burna Boy

Nigerian music star Burna Boy, born Damini Ogulu, has clarified the role of Afrobeat legend Fela Kuti in shaping his career in a recent interview with tennis icon Roger Federer on Complex’s GOAT Talk.

The episode, titled “Burna Boy & Roger Federer Debate The Best & Worst Things Ever”, originally aired on YouTube on September 24 and has recently resurfaced online, giving fans an intimate look at the superstar’s influences, personal tastes, and the cherished traditions that shaped him.

During the conversation, Federer asked Burna Boy about the albums he considers the greatest of all time.

The Afro star listed a wide range of classics, including Joe’s My Name Is Joe, Lil Wayne’s Tha Carter III, and 2Pac’s Makaveli.

He also emphasised all of Fela Kuti’s albums. However, when pressed on which of these works inspired him the most, Burna Boy said, “Honestly, none. I promise you. But, well, Fela was a big influence on me.”

He explained that Fela’s records were part of the soundtrack of his childhood, shaping his environment and awareness of Afrobeat, even if they did not directly guide his own music.

Burna Boy also shared that his first albums included the Joe album he received for his 10th birthday, alongside Fela’s full collection from his grandfather, emphasising that every Fela album remains a “goat album” in his eyes.

“First album, I got the Joe album for my 10th birthday gift… I got all Fela albums from my granddad. So every Fela album is a goat album. Lil Wayne’s The Carter III. Tupac’s Makaveli.”

The interview offered fans a peek into Burna Boy’s broader musical taste, listing rappers like Tupac, Big Pun, J-Hus, and DMX across generations, and citing singers, including Fuji artists like Saeed Osupa, as well as global icons such as Whitney Houston, Tina Turner, and Freddie Mercury.

He also recounted how Freddie Mercury and Queen were part of his father’s musical influence, showing a blend of both African and international inspirations in his upbringing.

Beyond music, Burna Boy delved into more personal aspects of his life. He revealed the origin of his stage name, linking it to a comic-book persona he created as a child, endowed with fire powers and the ability to fly.

“That’s actually how I got the name Burna Boy, because I wanted to be a character in the comic book,” he explained.

He also talked about family traditions, particularly Christmas, which he described as a sacred time to be home with loved ones.

Despite the demands of a professional schedule, he emphasised the importance of spending the day together.

Burna Boy painted a vivid picture of family Christmas celebrations, sharing how they prioritise presence over plans. He noted the challenge of juggling careers and traditions, but highlighted that the holiday remains a time for reconnecting, sharing meals, and creating lasting memories with extended family.

Food was another nostalgic topic, as Burna Boy reflected on his childhood favourites. He fondly remembered, “Fried yams and stew with all the meats you can get… Like beef or sausage… When I was a kid, I used to eat yams and sleep off on the bench.”

While Fela Kuti’s music played a formative role in his upbringing, Burna Boy makes it clear that his artistic journey has been guided by his own vision and experiences. (Punch)