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Disney+ has ‘huge opportunity’ in games and will tap into AI-based user generated content, CEO Iger says

Ready to play a game starring Stitch on Disney+? Or maybe create some kind of personalized, AI-animated version of the chaotic but oh-so-adorable alien from “Lilo & Stitch” you can share with your friends?

Disney+, which is in the process of merging with Hulu into a unified platform, is preparing “the biggest and the most significant changes from a product perspective” since the streaming service launched in late 2019, according to CEO Bob Iger, speaking on the media giant’s September quarter earnings call Thursday.

Iger then sketched out Disney+’s future roadmap — which could include games, commerce and AI user generated content. The big vision, he said, “particularly with the deployment of AI,” is to be able to leverage Disney+ “as a portal to all things Disney.”

“There’s an opportunity to use it as an engagement engine for people who want to go to our theme parks, want to stay at our hotels, want to enjoy our cruises, our cruise ships,” said Iger. “And obviously, there’s a huge opportunity for games.” He cited Disney’s $1.5 billion investment in Epic Games, the company behind “Fortnite,” and while the games and experiences developed under the partnership “will largely be on their platform,” the Epic pact “gives us an opportunity to integrate a number of game-like features into Disney+.”

Iger, on a roll, continued, “The other thing that we’re really excited about that AI is going to give us the ability to do is to provide users at Disney+ with a much more engaged experience, including the ability for them to create user generated content and to consume user generated content, mostly short form from others.”

“There are great opportunities in terms of our collection of data and our mining of data,” Iger told analysts. “And I’d say above all else, there’s phenomenal opportunities to deploy AI across our direct-to-consumer platforms, both to provide tools that make the platforms more dynamic and more sticky with consumers, but also give consumers the opportunity to create on our platforms.”

Needless to say, any AI features the Mouse House lights up on Disney+ would likely be confined within a very strict sandbox. Iger said Disney execs have had “some interesting conversations with some of the AI companies, and I would characterize some of them as quite productive conversations as well, seeking to not only protect the value of our IP and of our creative engines, but also to seek opportunities for us to use their technology to create more engagement with consumers. And we feel encouraged by some of the discussions that we’re having.”

Iger didn’t identify which AI companies Disney has spoken to. But, he said, “It’s obviously imperative for us to protect our IP using with this new technology, and we’ve been pretty engaged on that subject with a number of entities, and I’m hopeful that ultimately we’ll be able to reach some agreement with the industry or companies” that would “reflect our need to protect the IP.”

On that front, this year Disney began actively engaged in legal action against AI companies that it alleges had infringed its copyrights. Disney, together with NBCUniversal and Warner Bros. Discovery, has sued Midjourney and Chinese AI company MiniMax, seeking to recover monetary damages and injunctions to block the alleged infringement.

Beyond using AI for content production and for features in products like Disney+, the company sees opportunities in terms of increasing efficiency by deploying AI across the enterprise “as we engage with our cast members and our our employees, but also our guests and our customers.” (Variety)

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Margaret Atwood to receive The Hollywood Reporter’s Women in Entertainment Canada Honor

As Hulu’s The Handmaid’s Tale builds towards its series finale, Margaret Atwood, who wrote the 1985 novel on which the popular TV drama starring Elisabeth Moss is based, will be honored by The Hollywood Reporter at its Women in Entertainment Canada event on May 29 in Toronto.

The Canadian author, poet and activist will receive the ICON Award at this year’s second annual WIE Canada gala ceremony. Atwood wrote the Handmaid’s Tale book on which the Hulu TV series, from creator Bruce Miller, is based. Her follow-up 2019 novel, The Testaments, is currently being adapted as a sequel series.

The Handmaid’s Tale explores the complicated lives of handmaids who are sex slaves forced to give birth for infertile elite couples. Cultural and political observers have noted that the themes and concepts of the Canadian-born author’s celebrated novel are eerily familiar in today’s climate that sees the Donald Trump administration making repeated strikes against the rights of women, immigrants, LGBTQ individuals and other marginalized communities.

The WIE Canada’s ICON Award was created to recognize Canadian cultural icons who have advanced greater representation of women in the media and entertainment industry and whose artistic vision has reached global audiences.

Having written around 50 books of fiction, poetry, critical essays and graphic novels, Atwood will publish her memoir, Book of Lives, later this year. She has also received awards like the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award and the Los Angeles Times Innovator’s Award.

WIE Canada earlier announced that Tantoo Cardinal will receive the Equity in Entertainment Award, lifestyle journalist Jeanne Beker will be given the IMPACT Award; and The Sex Lives of College Girls star Amrit Kaur will receive the Breakthrough Award at this year’s event.

The upcoming second annual WIE Canada summit will again bring together the Canadian industry across TV, film and music to celebrate and recognize the achievements of women driving the industry forward.

The event’s return follows a successful first-ever WIE Canada summit on May 30, 2024 that was attended by iconic Canadian entertainers in the TV, film and music fields like Lilly Singh, Nia Vardalos, Devery Jacobs, Kim Cattrall, Catherine Reitman and Jully Black. (THR)