Tag: National Theatre

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EFCC hands over recovered ₦279m to Wole Soyinka Centre in Lagos

As part of efforts to combat corruption and recover misappropriated public funds, the Economic and Financial Crimes Commission (EFCC) has handed over the sum of ₦279 million to the Wole Soyinka Centre for Culture and the Creative Arts, formerly known as the National Theatre, Lagos.


The handover ceremony took place on Friday at the EFCC’s Lagos Zonal Directorate 2, Ikoyi.

A statement by the Head, Media and Publicity of the agency, Dele Oyewale, said the Commission had, in 2009, received a petition from Kabir Yusuf, former General Manager/CEO of the National Theatre, against one Prince Benjamin Apugo and others, alleging that a contract worth ₦299,707,828.00 was awarded through the Ministry of Tourism, Culture and National Orientation to Techno Exportstroy Nig. Limited for the construction of five gates, sand filling, and reclamation works at the National Theatre.

It disclosed that investigations revealed that the suspect, Yusuf Ahmed Atai, in his capacity as Acting General Manager of the National Theatre, released the sum of ₦334,229,794.24 to the contractor, which exceeded the original contract sum by ₦34,521,966.00.


“Further investigations showed that the contractor only executed work valued at ₦55,910,744.00, leaving an outstanding balance of ₦243,799,132.25 in unexecuted work.

The suspect also failed to refund the excess payment of ₦34,521,966.00.

“Upon the conclusion of investigations, the suspect was charged in court for prosecution.
During the course of the trial, a total sum of ₦279,000,000.00 was recovered from the defendant on behalf of the complainant,” the statement partly read.

Speaking during the handover ceremony, the Executive Chairman of the EFCC, Ola Olukoyede, represented by the Acting Zonal Director, Lagos Zonal Directorate 2, Ikoyi,  Assistant Commander of the EFCC,  ACE I Bawa Usman Kaltungo, reaffirmed the Commission’s resolve to ensure that public funds are properly accounted for and returned to their rightful owners.

He urged the management of the Wole Soyinka Centre for Culture and the Creative Arts to use the recovered funds judiciously.

“We cannot suffer to recover this money for you and then have it used for purposes other than what it is meant for after receiving it from us. We have already asked you to tell us what you intend to do with it, and you should know that we will keep an eye on how it is utilised.

“Nigerians have always sought to know what the Commission does with recovered funds,” he said.

He added that the Commission would periodically inspect the project for which the funds would be used.

“We will be visiting from time to time to monitor the progress of work. Our eagle eyes will be watching the pace of work. Do not tamper with the recovered funds. Use them for the benefit of Nigeria and all of us,” he added. (Channels)

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AFRIMA lauds Tinubu, CBN for National Theatre revamp

The All Africa Music Awards has commended President Bola Tinubu, the Central Bank of Nigeria, and the Bankers’ Committee for their role in the successful revamp and unveiling of the National Theatre, Iganmu, Lagos.

AFRIMA, in a Wednesday statement, described the restoration of the cultural landmark as a bold step in safeguarding Nigeria’s creative heritage and empowering the arts sector.

The historic edifice, originally opened in 1976, has been revamped and upgraded as part of efforts to reposition Nigeria’s creative economy. The project, undertaken by the CBN and the Bankers’ Committee as part of their commitment to giving back to the nation, was unveiled during the country’s 65th Independence anniversary celebrations on Wednesday.

The Bankers’ Committee had in July announced the completion of the renovation and upgrading of the facilities at the theatre.

The renovation covered different spaces, including the 4,000-seater main bowl, over 3,000-seater banquet hall, exhibition halls, cinemas, VIP spaces, actors’ changing rooms, industrial kitchen, over 300 new toilet cubicles, clinic, fire station, lobbies within the four National Theatre entrances and extensive roof repairs.

AFRIMA President and Executive Producer, Mike Dada, described the development as a milestone for Nigeria’s cultural industries and a symbol of renewed confidence in the creative sector.

“The National Arts Theatre has played a crucial role in nurturing African creativity, serving for decades as a hub for music, theatre, film and cultural festivals. Its revival speaks volumes about Nigeria’s vision and the dedication of stakeholders like the CBN and the Bankers’ Committee to supporting the creative economy. This is not just a building restored, but a renewal of cultural confidence and an investment in future generations of Nigerian and African talent,” Dada said.

Beyond the theatre, AFRIMA used the occasion to congratulate Nigeria on its 65th Independence Anniversary. Dada hailed the country’s resilience and influence in shaping Africa’s creative and cultural industries, pointing to its leadership in music, film, fashion and digital culture.

“On behalf of the International Executive Committee of AFRIMA, I extend heartfelt congratulations to Nigeria as the country marks 65 years of independence. Nigeria remains a vital partner to AFRIMA and a key pillar of Africa’s cultural identity. Its creative energy continues to inspire not just the continent but the world,” he added.

He further noted that Nigeria’s role as host of the 9th AFRIMA had amplified African music on the global stage while promoting unity across the continent.

AFRIMA reaffirmed its commitment to promoting African music, nurturing young talent and using culture as a tool for continental pride and development. (Punch)

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Soyinka accepts National Theatre naming honour

Nobel laureate Wole Soyinka has accepted the renaming of Nigeria’s National Theatre in his honour despite his past criticism of public monuments named after individuals.

At the reopening of the refurbished venue in Lagos on Thursday, the 90-year-old playwright acknowledged “mixed feelings” about the Wole Soyinka Centre for Culture and Creative Arts, as the complex in Iganmu is now known.

“I am notorious for having criticised many appropriations of public monuments by some of our past leaders, where everything is named after them,” Soyinka said.

“However, when I examined the history of theatre in Nigeria, and the lack of recognition for my predecessors, I believe somebody has to carry the can.”

The renaming, announced in July 2024 by President Bola Tinubu’s administration without Soyinka’s prior knowledge, sparked debate given his opposition to self-glorifying tributes.

The National Theatre, built in the 1970s under military rule, had fallen into disrepair, which Soyinka once described as a “slum” unfit for cultural events.

He recalled a near-fatal incident in the 2000s when exposed wiring endangered actors during a performance of his play Camwood on the Leaves.

The building’s Bulgarian-inspired conical design, which he had mocked as a “general’s hat,” became a symbol of neglect.

On Thursday, Tinubu inaugurated the restored theatre, rehabilitated with funding from Nigerian banks after years of decay. Soyinka, who staged Death and the King’s Horseman there in 1977, praised the effort as a “tasty morsel” of redemption, reversing his earlier support for a private takeover.

The centre is expected to host international festivals and youth programmes aimed at strengthening Lagos’s creative sector.

Soyinka, Africa’s first Nobel literature laureate in 1986, used the event to recognise figures such as Hubert Ogunde and Duro Ladipo, who helped establish Nigerian theatre during colonial and post-independence periods.

A co-founder of the Orisun Theatre Company in the 1960s, Soyinka’s works, including The Bacchae of Euripides, combine Yoruba traditions with global themes. His activism, including imprisonment during the 1967–1970 Biafran War, has also defined his public life.

Tinubu described the naming as a tribute to a figure of rare stature. (Guardian)